Images as a Resource for Catholic Theology
The aim of this article is to demonstrate why Catholic theology should actively engage with artistic images and elucidate how they could serve as a valuable resource for theological knowledge and content. The discussion is articulated in three distinct steps. Firstly, drawing from theological-histor...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
MDPI
2023
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| In: |
Religions
Year: 2023, Volume: 14, Issue: 10 |
| Further subjects: | B
Peter Hofmann
B relationship between image and word B theology and artistic images B visual arts as a “locus theologicus” B Theological Aesthetics B Alex Stock |
| Online Access: |
Volltext (kostenfrei) Volltext (kostenfrei) |
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| 520 | |a The aim of this article is to demonstrate why Catholic theology should actively engage with artistic images and elucidate how they could serve as a valuable resource for theological knowledge and content. The discussion is articulated in three distinct steps. Firstly, drawing from theological-historical perspectives within Christian tradition, it is shown that certain images possess significant theological potential. There have been various forms of interaction between theology and the visual representation of faith. The second step discusses the gradual reduction of theological reflection towards rational and conceptual cognition. The author relies predominantly on inner-theological arguments to advocate for the necessity of expanding the intellectual and conceptual horizons of contemporary Catholic theology so as to include the aesthetic dimension. In the final, third part, these insights are substantiated through the examination of two examples from contemporary Catholic theology: the works of Alex Stock and Peter Hofmann, exploring how artistic images can enrich systematic theology by serving as a “locus theologicus”. In conclusion, the author asserts that images have the potential to expand and concretize abstracted topics within dogmatic theology. They can also facilitate the reintegration of fragmented theological disciplines and forge a more direct link between theology and the lived experience of faith. | ||
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