Zen in Early Persian Painting—A Study of the 1314–1315 Jāmiʿ al-Tavārīkh Illustrations
Since the establishment of the Ilkhanid Dynasty, Chinese painting has exerted a profound influence on various facets of Persian painting. This influence facilitated the divergence of Persian painting from Arab painting, fostering the gradual formation of an independent style. To explore whether Zen...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
|
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
MDPI
2024
|
| In: |
Religions
Year: 2024, Volume: 15, Issue: 1 |
| Further subjects: | B
China-Iran cultural relationship
B Jāmiʿ al-Tavārīkh of Rashīd al-Dīn B Zen painting |
| Online Access: |
Volltext (kostenfrei) Volltext (kostenfrei) |
MARC
| LEADER | 00000naa a22000002 4500 | ||
|---|---|---|---|
| 001 | 1877475033 | ||
| 003 | DE-627 | ||
| 005 | 20240109055505.0 | ||
| 007 | cr uuu---uuuuu | ||
| 008 | 240109s2024 xx |||||o 00| ||eng c | ||
| 024 | 7 | |a 10.3390/rel15010075 |2 doi | |
| 035 | |a (DE-627)1877475033 | ||
| 035 | |a (DE-599)KXP1877475033 | ||
| 040 | |a DE-627 |b ger |c DE-627 |e rda | ||
| 041 | |a eng | ||
| 084 | |a 0 |2 ssgn | ||
| 100 | 1 | |a Jia, Fei |e VerfasserIn |4 aut | |
| 245 | 1 | 0 | |a Zen in Early Persian Painting—A Study of the 1314–1315 Jāmiʿ al-Tavārīkh Illustrations |
| 264 | 1 | |c 2024 | |
| 336 | |a Text |b txt |2 rdacontent | ||
| 337 | |a Computermedien |b c |2 rdamedia | ||
| 338 | |a Online-Ressource |b cr |2 rdacarrier | ||
| 520 | |a Since the establishment of the Ilkhanid Dynasty, Chinese painting has exerted a profound influence on various facets of Persian painting. This influence facilitated the divergence of Persian painting from Arab painting, fostering the gradual formation of an independent style. To explore whether Zen painting, which has been highly influential in contemporary China, also played a role in shaping Persian painting, this article first discusses the possibility that Zen books and Zen paintings were introduced to the Ilkhanid Dynasty. Subsequently, it delves into the illustrations of the Jāmiʿ al-Tavārīkh dating back to 1314–1315, analyzing Zen elements through three lenses: theme, brushwork, and compositional elements. Through this analysis, the article aims to provide insights into the impact of Chinese Zen art on Persian painting, offering a fresh perspective for scrutinizing the broader Chinese influence on Persian art. | ||
| 650 | 4 | |a China-Iran cultural relationship | |
| 650 | 4 | |a Zen painting | |
| 650 | 4 | |a Jāmiʿ al-Tavārīkh of Rashīd al-Dīn | |
| 773 | 0 | 8 | |i Enthalten in |t Religions |d Basel : MDPI, 2010 |g 15(2024), 1, Artikel-ID 75 |h Online-Ressource |w (DE-627)665435797 |w (DE-600)2620962-7 |w (DE-576)348219067 |x 2077-1444 |7 nnns |
| 773 | 1 | 8 | |g volume:15 |g year:2024 |g number:1 |g elocationid:75 |
| 856 | |u https://www.mdpi.com/2077-1444/15/1/75/pdf?version=1704704466 |x unpaywall |z Vermutlich kostenfreier Zugang |h publisher [oa journal (via doaj)] | ||
| 856 | 4 | 0 | |u https://doi.org/10.3390/rel15010075 |x Resolving-System |z kostenfrei |3 Volltext |
| 856 | 4 | 0 | |u https://www.mdpi.com/2077-1444/15/1/75 |x Verlag |z kostenfrei |3 Volltext |
| 912 | |a NOMM | ||
| 935 | |a mteo | ||
| 951 | |a AR | ||
| ELC | |a 1 | ||
| LOK | |0 000 xxxxxcx a22 zn 4500 | ||
| LOK | |0 001 445152492X | ||
| LOK | |0 003 DE-627 | ||
| LOK | |0 004 1877475033 | ||
| LOK | |0 005 20240109055505 | ||
| LOK | |0 008 240109||||||||||||||||ger||||||| | ||
| LOK | |0 035 |a (DE-Tue135)IxTheo#2024-01-08#F7A8C533A6C545E2291133E33C4102505DF135F9 | ||
| LOK | |0 040 |a DE-Tue135 |c DE-627 |d DE-Tue135 | ||
| LOK | |0 092 |o n | ||
| LOK | |0 852 |a DE-Tue135 | ||
| LOK | |0 852 1 |9 00 | ||
| LOK | |0 935 |a ixzs |a zota | ||
| OAS | |a 1 | ||
| ORI | |a SA-MARC-ixtheoa001.raw | ||
| REL | |a 1 | ||
| SUB | |a REL | ||