Changes in Sacrifice by Burning and the Transfer of the Space Inhabited by Ghosts in China: Philological and Linguistic Perspectives
This paper analyzes changes in sacrifice by burning and the space inhabited by ghosts in ancient China from philological and linguistic perspectives. During the Shang and Zhou dynasties, rulers believed that they could convey their offerings and reverence to their ancestors in heaven by burning fire...
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
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| Published: |
MDPI
2024
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| In: |
Religions
Year: 2024, Volume: 15, Issue: 2 |
| Further subjects: | B
Chinese character
B ancient China B space of ghosts B sacrifice by burning B Metaphor |
| Online Access: |
Volltext (kostenfrei) Volltext (kostenfrei) |
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| 520 | |a This paper analyzes changes in sacrifice by burning and the space inhabited by ghosts in ancient China from philological and linguistic perspectives. During the Shang and Zhou dynasties, rulers believed that they could convey their offerings and reverence to their ancestors in heaven by burning firewood and sacrifices (尞). From the Spring and Autumn Period to the Han dynasty, the ancient Chinese metaphors for naming the underground space inhabited by ghosts experienced a transformation from a natural space (Yellow Spring (黄泉)) to human settlements (li (里), big cities (都)) and then to government institutions for criminal penalty (government (府), prisons (狱)), which symbolized the gradual establishment of a living order in the space inhabited by ghosts based on the human society. When the new living order of the space inhabited by ghosts was established, the ancient Chinese began to reconstruct sacrifice by burning during the Wei and Jin dynasties, and the objects burnt were represented by joss paper. The use of the term “transforming (化)” to refer to sacrifice by burning suggests that people believed that burning with fire was a way to transfer objects from the real world to the world of ghosts. The act of burning joss paper not only embodied the Chinese concept of ancestor worship to “treat the dead as if they were alive” but also gave “fire (火)” rich religious connotations while greatly simplifying the process and cost of sacrificial rituals, thus gradually becoming popular. | ||
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