Aesthetic Assemblages: Relational Aesthetics of the Israeli Movement Practice Gaga
This paper presents a study of the aesthetics of the free-form improvisational dance practice Gaga as an example of contemporary neo-spirituality. The study is based on aesthetic data collected in recreational Gaga classes at the Suzanne Dellal Centre in Tel Aviv. The study shows that the aesthetics...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Taylor & Francis
2024
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| In: |
Material religion
Year: 2024, Volume: 20, Issue: 1, Pages: 73–99 |
| Further subjects: | B
Senses
B Experience B body knowledge B neo-spirituality B Dance B Assemblage (Art) B somatics B Affect |
| Online Access: |
Presumably Free Access Volltext (lizenzpflichtig) |
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| 520 | |a This paper presents a study of the aesthetics of the free-form improvisational dance practice Gaga as an example of contemporary neo-spirituality. The study is based on aesthetic data collected in recreational Gaga classes at the Suzanne Dellal Centre in Tel Aviv. The study shows that the aesthetics of practices are relational and depend on a variety of heterogeneous factors; collective and shared aesthetics persist despite individualization. The paper develops assemblage thinking as a theoretical and practical framework for approaching aesthetics. It combines the specific analytical approach of aesthetic analysis with the theoretical concept of assemblage and applies it to an example of neo-spirituality. It evolves the concept of “aesthetic assemblage” to address the challenges of studying practices that focus on movement, body, and experience. It demonstrates that studying aesthetic assemblages of neo-spiritual practices helps to foster an understanding of social and cultural dynamics in the context of religion. | ||
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