Radically Feminist or Monstrously Feminine?: Witches and Goddesses in Guadagnino's Suspiria (2018)
Guadagnino’s 2018 remake of Suspiria explicitly and implicitly incorporates two connected myths, witchcraft and goddess centered matriarchal prehistory. The fact that each of these myths have been claimed by feminists in myriad ways may explain Guadagnino’s claim that Suspiria is a great feminist fi...
Main Author: | |
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Format: | Electronic Article |
Language: | English |
Check availability: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
[publisher not identified]
2024
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In: |
The journal of religion and film
Year: 2024, Volume: 28, Issue: 1, Pages: 1-29 |
Online Access: |
Volltext (kostenfrei) Volltext (kostenfrei) |
Summary: | Guadagnino’s 2018 remake of Suspiria explicitly and implicitly incorporates two connected myths, witchcraft and goddess centered matriarchal prehistory. The fact that each of these myths have been claimed by feminists in myriad ways may explain Guadagnino’s claim that Suspiria is a great feminist film that escapes the male gaze. In this article, I argue that Guadagnino’s representation of these myths lays bare their misogynistic origins and perpetuates, rather than subverts, patriarchal power structures. |
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ISSN: | 1092-1311 |
Contains: | Enthalten in: The journal of religion and film
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Persistent identifiers: | DOI: 10.32873/uno.dc.jrf.28.01.63 |