Miriam’s Dance as Embodied Prophecy (Exodus 15:20–21)
The discursive labeling of Miriam as prophet constructs her drumming, dancing, and singing as prophetic acts; her actions simultaneously reshape the prophetic role as participatory, creative, and relational. A theoretical frame drawn from dance studies and the new materialist philosophy of Karen Bar...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Scholar's Press
2024
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| In: |
Journal of Biblical literature
Year: 2024, Volume: 143, Issue: 2, Pages: 207-227 |
| Standardized Subjects / Keyword chains: | B
Bible. Exodus 15,20-21
/ Prophet
/ Musik
/ Dance
/ Barad, Karen 1956-
/ Trauma
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| RelBib Classification: | HB Old Testament RC Liturgy RD Hymnology ZB Sociology ZD Psychology |
| Online Access: |
Volltext (lizenzpflichtig) |