SPIRITUAL SIGNIFICANCE AND RELIGIOUS DIMENSIONS IN THE INHERITANCE AND DEVELOPMENT OF CONTEMPORARY CHINESE FOLK DANCE
The diverse cultures of the fifty-six ethnic groups in China have given rise to a variety of folk dances, each embodying unique national cultural connotations and serving as an epitome of the broader national culture. These dances not only reflect artistic aesthetics but also hold profound spiritual...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
University of Innsbruck in cooperation with the John Hick Centre for Philosophy of Religion at the University of Birmingham
2024
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| In: |
European journal for philosophy of religion
Year: 2024, Volume: 16, Issue: 1, Pages: 214-229 |
| Further subjects: | B
National folk dance
B Philosophical thinking B Inheritance B Dance education |
| Online Access: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Summary: | The diverse cultures of the fifty-six ethnic groups in China have given rise to a variety of folk dances, each embodying unique national cultural connotations and serving as an epitome of the broader national culture. These dances not only reflect artistic aesthetics but also hold profound spiritual and religious significance, making them vital to the preservation of cultural heritage. This paper explores the philosophical dimensions of the inheritance and development of contemporary Chinese folk dances, particularly focusing on their role in conveying religious values and spiritual beliefs. As China is a unified multi-ethnic nation, the integration of various ethnic cultures through folk dances has been pivotal in promoting spiritual harmony and unity. This study delves into how national folk dances have evolved from their traditional ecological contexts to modern stages, reflecting both historical continuity and cultural adaptation. The transition of these dances into contemporary settings illustrates a dynamic interaction between traditional religious practices and modern aesthetic values. The main thrust of this research is to analyze the current pedagogical approaches to national folk dance education in China, examining how these dances are taught as a means of fostering deeper spiritual and cultural awareness among students. The study also proposes solutions to the challenges faced in teaching these dances, aiming to enhance the transmission of China's rich national and spiritual heritage through folk dance. By highlighting the religious dimensions of these dances, this paper seeks to contribute to a broader understanding of how traditional art forms can continue to enrich modern spiritual life and foster a deeper connection to the divine through cultural expression. |
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| Contains: | Enthalten in: European journal for philosophy of religion
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| Persistent identifiers: | DOI: 10.24204/ejpr.2024.4040 |