THE EFFECT EVALUATION OF DIGITAL INTEGRATION OF TRADITIONAL DRAMA AND MODERN DRAMA ART BASED ON INTELLIGENT COMPUTING
Out of the consideration of the same artistic essence and aesthetic function of drama and opera as theater, many directors devoted their lives to building a "golden bridge" between drama and opera: on the one hand, to maintain the traditional characteristics of opera, but "to make use...
Authors: | ; ; ; ; ; |
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Format: | Electronic Article |
Language: | English |
Check availability: | HBZ Gateway |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
University of Innsbruck in cooperation with the John Hick Centre for Philosophy of Religion at the University of Birmingham
2023
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In: |
European journal for philosophy of religion
Year: 2023, Volume: 15, Issue: 4, Pages: 489-507 |
Further subjects: | B
deep integration
B modern drama B intelligent computing B traditional drama |
Online Access: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
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520 | |a Out of the consideration of the same artistic essence and aesthetic function of drama and opera as theater, many directors devoted their lives to building a "golden bridge" between drama and opera: on the one hand, to maintain the traditional characteristics of opera, but "to make use of new ideas, new techniques, and new organization, so that the face of the old opera can be renewed". On the other hand, their early practice of new drama also made them realize that Chinese drama, which lacked roots, "in terms of scriptwriting and acting, its only master was the Chinese opera. On the other hand, their early practice of new drama also made them realize that Chinese drama, which lacked roots, was "still the only master of Chinese opera in terms of scriptwriting and performance" and therefore needed to draw on the aesthetic spirit and artistic techniques of traditional opera, and in their later years they hoped that drama would "create the latest and most beautiful dramatic art on the basis of tradition". Many directors have left an important legacy for the 20th century Chinese theater by their thinking about and defending the aesthetic nature of theater and its "independent and dignified" artistic status, as well as by their important ideas and remarkable practice of fusing drama and opera to create modern Chinese national theater. It is of great importance to evaluate the effect of fusion. In this paper, we study the deep integration effect measurement of traditional drama and modern drama directing art based on intelligent computing and time-series data analysis, which effectively solves this problem. | ||
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700 | 1 | |a Chen, Ni |e VerfasserIn |4 aut | |
700 | 1 | |a Jin, Yanhong |e VerfasserIn |4 aut | |
700 | 1 | |a Zhang, Chao |e VerfasserIn |4 aut | |
700 | 1 | |a Ma, Xiaokai |e VerfasserIn |4 aut | |
773 | 0 | 8 | |i Enthalten in |t European journal for philosophy of religion |d Innsbruck : University of Innsbruck in cooperation with the John Hick Centre for Philosophy of Religion at the University of Birmingham, 2009 |g 15(2023), 4, Seite 489-507 |h Online-Ressource |w (DE-627)718600770 |w (DE-600)2659606-4 |w (DE-576)477533728 |7 nnns |
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