SACRED ECHOES IN SECULAR MELODIES: PHILOSOPHICAL AND RELIGIOUS INTERPRETATIONS OF MODERN CHINESE VOCAL MUSIC
The mid-19th century marked a pivotal transition in Chinese society from a predominantly feudal structure to a more complex semi-colonial and semi-feudal society. This transformation was paralleled by the introduction of Western musical philosophies, including concepts of self-discipline and heteron...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
University of Innsbruck in cooperation with the John Hick Centre for Philosophy of Religion at the University of Birmingham
2024
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| In: |
European journal for philosophy of religion
Year: 2024, Volume: 16, Issue: 2, Pages: 69-86 |
| Further subjects: | B
Music philosophy
B Vocal features B Modern vocal music |
| Online Access: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |