TRAGIC DIVISIONS AND DIVINE JUSTICE: COMPARING THE PHILOSOPHICAL AND RELIGIOUS UNDERPINNINGS OF CHINESE AND WESTERN DRAMA IN THE ORPHAN OF ZHAO
The Orphan of Zhao" exemplifies a quintessential Chinese tragedy that encapsulates the values of loyalty and kindness, deeply rooted in Chinese cultural and philosophical traditions. This study embarks on an exploration of the ethnic and cultural nuances of this tragedy, contrasting it with Wes...
| Authors: | ; |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
University of Innsbruck in cooperation with the John Hick Centre for Philosophy of Religion at the University of Birmingham
2024
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| In: |
European journal for philosophy of religion
Year: 2024, Volume: 16, Issue: 2, Pages: 174-189 |
| Further subjects: | B
Emotional expression
B cultural differences B Tragic art B Ethnic differences |
| Online Access: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Summary: | The Orphan of Zhao" exemplifies a quintessential Chinese tragedy that encapsulates the values of loyalty and kindness, deeply rooted in Chinese cultural and philosophical traditions. This study embarks on an exploration of the ethnic and cultural nuances of this tragedy, contrasting it with Western dramatic forms to elucidate divergent philosophical foundations and religious influences. Central to this analysis is the comparison of cultural backgrounds, thematic focus, value systems, structural compositions, and narrative techniques that distinguish Chinese tragedies from their Western counterparts. The distinctions between Chinese and Western dramatic tragedies are profoundly influenced by their respective cultural and historical milieus—Confucianism in China and Christianity in the West. These foundational beliefs shape the narrative structures and stylistic expressions of tragedies in each culture. For instance, Chinese tragedies typically employ a retributive justice framework reflective of Confucian ethics, whereas Western tragedies often explore dramatic conflicts and moral confrontations rooted in Christian theological themes. The Orphan of Zhao" not only showcases the characteristics of Chinese tragic narratives but also bridges understandings with Western dramatic forms, thereby serving as a fertile ground for cultural exchange and deeper mutual appreciation. Through a detailed examination of "The Orphan of Zhao" and its comparative analysis with Western tragedies, this paper illuminates the universal themes of tragedy while highlighting distinct philosophical and religious dimensions. Such comparative studies enrich our comprehension of global tragic expressions and inspire contemporary theatrical writing across cultures. In essence, "The Orphan of Zhao" offers a distinctive lens through which to view the interplay between tragedy and the philosophical and religious contexts that shape it. By dissecting the similarities and differences in tragic storytelling across cultures, this study contributes valuable insights to the ongoing discourse on the role of philosophy and religion in the arts, enhancing our understanding of how tragedies can transcend cultural boundaries yet remain deeply rooted in their ethnic and philosophical origins. |
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| Contains: | Enthalten in: European journal for philosophy of religion
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| Persistent identifiers: | DOI: 10.24204/ejpr.2024.4378 |