Unadorned: An Essay on a Conjugal Spectacle in Postcolonial Zanzibar
This essay explores the historical, political and cultural lessons of a Shia Khoja diasporic account about the Forced Marriage Act, also known as Ndoa za Karume (NZK), in 1964 post-revolutionary Zanzibar. It examines how the pogroms committed by the Afro-Shirazi government against Arab and Asian com...
| Auteur principal: | |
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| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Publié: |
2024
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| Dans: |
Hawwa
Année: 2024, Volume: 22, Numéro: 3/4, Pages: 249-265 |
| Sujets non-standardisés: | B
ethnic violence
B diasporic narratives B social suffering B Forced Marriage Act B gender-based violence B Ndoa za Karume B Zanzibar Revolution B Collective Memory |
| Accès en ligne: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
| Résumé: | This essay explores the historical, political and cultural lessons of a Shia Khoja diasporic account about the Forced Marriage Act, also known as Ndoa za Karume (NZK), in 1964 post-revolutionary Zanzibar. It examines how the pogroms committed by the Afro-Shirazi government against Arab and Asian communities in this period shaped the narration and transmission of memories of social suffering. In particular, the essay analyzes a work by a Zanzibari Khoja exile in the United Kingdom highlighting the experience of young forced brides. It argues that NZK constituted literal, legal and social harms and thus provides insight into the abuse of women and girls as spoils of war. By engaging with this voice, we gain not only a deeper understanding of a specific historical moment but also a more nuanced understanding of the political context of gendered experience in an island adrift. |
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| ISSN: | 1569-2086 |
| Contient: | Enthalten in: Hawwa
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| Persistent identifiers: | DOI: 10.1163/15692086-12341423 |
