Religion, secularism, and postsecularism in Chinese internet literature
Internet literature emerged in China in the 1990s and became commercialized in the early 2000s, with readers paying an access fee, which is split between literary platforms and their contracted writers, to access popular novels. While the most popular genre is fantasy, a type of imaginative literatu...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Published: |
2024
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| In: |
Literature and theology
Year: 2024, Volume: 38, Issue: 2, Pages: 165-172 |
| RelBib Classification: | AF Geography of religion AG Religious life; material religion BM Chinese universism; Confucianism; Taoism KBM Asia ZG Media studies; Digital media; Communication studies |
| Online Access: |
Volltext (lizenzpflichtig) |
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| 520 | |a Internet literature emerged in China in the 1990s and became commercialized in the early 2000s, with readers paying an access fee, which is split between literary platforms and their contracted writers, to access popular novels. While the most popular genre is fantasy, a type of imaginative literature devoted to invoking magic beyond the limits of empirical reality and scientific rationality, the primary source of magic for Chinese fantasy is traditional Chinese cosmology and its concrete applications in everyday practices. These ideas and practices, the onto-epistemic-practical foundation of Chinese religion before the twentieth century, were considered superstitious and targeted for elimination in modernizing and secularization processes. However, they have not only survived but taken up a new life in fantasy novels, which depict them as the antecedents of, alternatives to, or more advanced forms than modern scientific endeavors at engineering natural environments and enhancing human bodies. This is why I see online fantasy literature as a palimpsest bearing the traces of Chinese religion, Chinese secularism, and the social conditions of contemporary China. In bearing such traces, this literature exemplifies the postsecular. | ||
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