Così fan tutte, an opera of mimetic revelation

"Così fan tutte, the opera by Mozart and Da Ponte, features two couples as protagonists that noticeable resemble couples from classical literature, including Ovid's Collatinus and Lucretia, Cervantes' Anselmo and Camila, and Shakespeare's Leonatus and Imogen. In this book, Isabel...

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Bibliographic Details
Main Author: Díaz Morlán, Isabel 1967- (Author)
Format: Print Book
Language:English
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Interlibrary Loan:Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany)
Published: East Lansing Michigan State University Press 2025
In:Year: 2025
Series/Journal:Studies in violence, mimesis, and culture
Philosophy/Music/Opera
Further subjects:B Mimesis in literature
B Mozart, Wolfgang Amadeus (1756-1791) Così fan tutte
B Opera Psychological aspects
B Music and literature
B Mimesis in music
B Libretto
Online Access: Table of Contents (Aggregator)
Parallel Edition:Electronic

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264 1 |a East Lansing  |b Michigan State University Press  |c 2025 
300 |a xiv, 134 Seiten  |b Notenbeispiele 
336 |a Text  |b txt  |2 rdacontent 
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505 8 |a Creation and Reception of Così Fan Tutte -- Summary of the Plot and Structural Relationships -- The Literary Sources of the Libretto -- Starting Point : The Novelistic Truth About the Mechanisms of Desire -- Mimetic Revelation in Così Fan Tutte : An Analysis of the Music and the Text -- Epilogue : Revealing the Truth of Human Emotions. 
520 |a "Così fan tutte, the opera by Mozart and Da Ponte, features two couples as protagonists that noticeable resemble couples from classical literature, including Ovid's Collatinus and Lucretia, Cervantes' Anselmo and Camila, and Shakespeare's Leonatus and Imogen. In this book, Isabel Díaz-Morlán reads these characters through the lens of René Girard's theory of unconscious mimetic desire to argue that their stories are an expression of a truth about human behavior. The book begins by exploring the sources of the libretto, comparing them with each other and with the libretto itself, to detect the themes that could reveal in the opera the mechanism of mimetic desire. This offers the groundwork for the analysis of key moments of the opera, in which the combined action of words, dramatic action and, above all, music, reveal how Ferrando and Guglielmo, Fiordiligi and Dorabella fall into mimetic rivalry, incitement to desire and hypocrisy, always within a méconnaissance that prevents them from recognizing what is happening to them, until the truth is finally unmasked"-- 
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