Still Lives: Jewish Photography in Nazi Germany
How German Jews used photographs to document their experiences in the face of National SocialismStill Lives is a systematic study of the ways Jews used photographs to document their experiences in the face of National Socialism. In a time of intensifying anti-Jewish rhetoric and policies, German Jew...
MARC
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| 109 | |a Ashkenazi, ʿOfer 1974- |a Ashkenazi, Ofer 1974- | ||
| 245 | 1 | 0 | |a Still Lives |b Jewish Photography in Nazi Germany |c Sarah Wobick-Segev, Ofer Ashkenazi, Shira Miron, Rebekka Grossmann |
| 264 | 1 | |a Philadelphia |b University of Pennsylvania Press |c [2025] | |
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| 505 | 8 | |a Frontmatter -- Contents -- Introduction. Jewish Photography in an Age of Extreme Uncertainty -- PART I. PHOTOGRAPHY AND THE GERMAN-JEWISH EXPERIENCE -- Chapter 1. Documenting, Exhibiting, and Contemplating Jewishness: A Brief History of German-Jewish Photography -- Chapter 2. Reading Photographs of Jews in Nazi Germany: Functions, Compositions, Meanings -- PART II. THE PHOTOGRAPHIC ENCODING OF GERMAN-JEWISH LIVES -- Chapter 3. A Site of Comfort and Defiance: Photographs of the Jewish Home in Nazi Germany -- Chapter 4. Estranged Homeland: Exploring the Newly Nazified Landscapes -- Chapter 5. Probing the Binaries of the German-Jewish Experience: The Photographed “Jewish Spaces” of the Third Reich -- PART III. INCONCLUSIVE STORIES: JEWS’ VISUAL NARRATIVES IN THE FACE OF NAZISM -- Chapter 6. With a Wink and a Nod: Arthur Freund’s Family Album as a Site of Memory and Its Deconstruction -- Chapter 7. The Elusive Storyteller: The Two Narrators of Marianne Holländer’s Schooldays Album -- Chapter 8. Abstractions as Pathos: Narrating Martha Maas’s (Fantasy of) Success in Nazi Berlin -- Chapter 9. Montage Storytelling: Ambivalent Reflections on Jewishness and Emigration -- Chapter 10. Departure, Finitude, and (Post-)Memories: Last Photos from Germany -- Notes -- Bibliography -- Index -- Acknowledgments | |
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| 520 | |a How German Jews used photographs to document their experiences in the face of National SocialismStill Lives is a systematic study of the ways Jews used photographs to document their experiences in the face of National Socialism. In a time of intensifying anti-Jewish rhetoric and policies, German Jews documented their lives and their environment in tens of thousands of photographs. German Jews of considerably diverse backgrounds took and preserved these photographs: professional and amateurs, of different ages, gender, and classes. The book argues that their previously overlooked photographs convey otherwise unuttered views, emotions, and self-perceptions. Based on a database of more than fifteen thousand relevant images, it analyzes photographs within the historical contexts of their production, preservation, and intended viewing, and explores a plethora of Jews’ reactions to the changing landscapes of post-1933 Germany. Here, the authors claim that these reactions complement, complicate, and, sometimes, undermine the contents of contemporaneous written sources.Still Lives develops a new methodology for historians to use while reading and analyzing photographs, and shows how one can highlight an image’s role in a narrative that comments on, and assigns meaning to, the reality it documents. In times of radical uncertainty, numerous German Jews used photography to communicate their intricate, confused, and conflicting expectations, fears, and beliefs. Through careful analysis of these photographs, this book lays the foundations for a new history of the German-Jewish experience during the National Socialist years | ||
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