Heterosexual masculinities and the self-reflexive novel
Heterosexual Masculinities and the Self-Reflexive Novel examines how the narratives of four world-renowned authors, namely J. M. Coetzee, Milan Kundera, Philip Roth and Mario Vargas Llosa, offer a standpoint through which to address the inscription of heterosexual masculinity into Western literary l...
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| 520 | |a Heterosexual Masculinities and the Self-Reflexive Novel examines how the narratives of four world-renowned authors, namely J. M. Coetzee, Milan Kundera, Philip Roth and Mario Vargas Llosa, offer a standpoint through which to address the inscription of heterosexual masculinity into Western literary legacy and the ways in which masculinity is re-fashioned in contemporary self-reflexive novels. Considering the interconnectedness of their narratives for the first time, the book explores unexamined patterns of dialogue among Coetzee, Kundera, Roth and Vargas Llosa while also contextualising their writing in the light of the European literary tradition inaugurated by Cervantes’s Don Quixote and continued by Flaubert’s Madame Bovary. Rather than building on conventional theoretical approaches to literary studies, Stefano Rossoni develops a fresh and engaging approach by looking at these two works not only as narrative texts but most importantly as theories of literature. In dialogue with critical contributions that examined men’s emotional illiteracy and struggle to develop a language for self-reflection, the book argues that the narratives of Coetzee, Kundera, Roth and Vargas Llosa engage with the tradition of the self-reflexive novel and its ramifications to reflect on masculinity as a socio-cultural construction. Ultimately, their writing reveals men's novelistic self-reflexivity as a site of unintelligibility. | ||
| 520 | |a Heterosexual Masculinities and the Self-Reflexive Novel untersucht, wie die Erzählungen von vier weltberühmten Autoren – J. M. Coetzee, Milan Kundera, Philip Roth und Mario Vargas Llosa – einen Standpunkt bieten, von dem aus die Verankerung heterosexueller Männlichkeit im westlichen literarischen Erbe und die Art und Weise, wie Männlichkeit in zeitgenössischen selbstreflexiven Romanen neu gestaltet wird, thematisiert werden können. Das Buch betrachtet zum ersten Mal die Vernetzung ihrer Erzählungen und erforscht unerforschte Dialogmuster zwischen Coetzee, Kundera, Roth und Vargas Llosa. Gleichzeitig kontextualisiert es ihre Schriften im Lichte der europäischen Literaturtradition, die mit Cervantes’ Don Quijote begann und in Flauberts Madame Bovary fortgeführt wurde. Statt auf konventionellen theoretischen Ansätzen der Literaturwissenschaft aufzubauen, entwickelt Stefano Rossoni einen frischen und ansprechenden Ansatz, indem er diese beiden Werke nicht nur als Erzähltexte, sondern vor allem als Literaturtheorien betrachtet. Im Dialog mit kritischen Beiträgen, die die emotionale Ungebildetheit von Männern und ihren Kampf um die Entwicklung einer Sprache zur Selbstreflexion untersuchen, argumentiert das Buch, dass die Erzählungen von Coetzee, Kundera, Roth und Vargas Llosa die Tradition des selbstreflexiven Romans und seine Auswirkungen auf die Reflexion über Männlichkeit als soziokulturelle Konstruktion aufgreifen. Letztlich entlarven ihre Schriften die romanhafte Selbstreflexivität von Männern als einen Ort der Unverständlichkeit. [Mit KI übersetzt] | ||
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