The Birth of a Nation as American Myth
The Birth of a Nation was one of the most important films of all time, both for its technical and aesthetic achievements and for its enduring legacy of racism. This paper uses Bruce Lincoln's approach to myth as a form of discourse and Robert Bellah's notion of civil religion to show how B...
| Auteur principal: | |
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| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Publié: |
2004
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| Dans: |
The journal of religion and film
Année: 2004, Volume: 8, Numéro: 3 |
| Accès en ligne: |
Volltext (kostenfrei) Volltext (kostenfrei) |
| Résumé: | The Birth of a Nation was one of the most important films of all time, both for its technical and aesthetic achievements and for its enduring legacy of racism. This paper uses Bruce Lincoln's approach to myth as a form of discourse and Robert Bellah's notion of civil religion to show how Birth might be understood as a mythic component of American civil religion. From this perspective, Birth serves as a paradigmatic story of American origins rooted in ideas of white supremacy. At the end of the article Oscar Micheaux's work, Within our Gates, is used to briefly demonstrate filmic strategies for countering Birth as myth. |
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| ISSN: | 1092-1311 |
| Contient: | Enthalten in: The journal of religion and film
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| Persistent identifiers: | DOI: 10.32873/uno.dc.jrf.08.03.06 |
