Picturing science, producing art
Style as inclusion, style as exculsion / Carlo Ginzburg -- The affective properties of styles : an inquiry into analytical process and the inscription of meaning in art history / Irene J. Winter -- Style/type/standard : the production of technological resemblance / Amy Slaton -- Miracles of bodily t...
Contributors: | ; |
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Format: | Print Book |
Language: | English |
Subito Delivery Service: | Order now. |
Check availability: | HBZ Gateway |
WorldCat: | WorldCat |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
New York, NY [u.a.]
Routledge
1998
|
In: | Year: 1998 |
Volumes / Articles: | Show volumes/articles. |
Standardized Subjects / Keyword chains: | B
Science
/ Art
B Art / Natural sciences |
Further subjects: | B
Collection of essays
B Art and science |
Online Access: |
Table of Contents Verlagsangaben (Verlag) |
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245 | 1 | 0 | |a Picturing science, producing art |c Caroline A. Jones; Peter Galison, eds. |
264 | 1 | |a New York, NY [u.a.] |b Routledge |c 1998 | |
300 | |a X, 518 S. |b Ill |c 26 cm | ||
336 | |a Text |b txt |2 rdacontent | ||
337 | |a ohne Hilfsmittel zu benutzen |b n |2 rdamedia | ||
338 | |a Band |b nc |2 rdacarrier | ||
500 | |a Includes bibliographical references and index | ||
505 | 8 | 0 | |t Style as inclusion, style as exculsion |r Carlo Ginzburg |
505 | 8 | 0 | |t The affective properties of styles : an inquiry into analytical process and the inscription of meaning in art history |r Irene J. Winter |
505 | 8 | 0 | |t Style/type/standard : the production of technological resemblance |r Amy Slaton |
505 | 8 | 0 | |t Miracles of bodily transformation, or, how St. Francis received the stigmata |r Arnold Davidson |
505 | 8 | 0 | |t Lost knowledge, bodies of ignorance, and the poverty of taxonomy as illustrated by the curious fate of Flos pavonis, an abortifacient |r Londa Schiebinger |
505 | 8 | 0 | |t The sex of the machine : mechanomorphic art, new women, and Francis Picabia's neurasthenic cure |r Caroline A. Jones |
505 | 8 | 0 | |t Deanimations : maps and portraits of life itself |r Donna Haraway |
505 | 8 | 0 | |t Vision and cognition |r Krzysztof Pomian |
505 | 8 | 0 | |t Nature by design |r Lorraine Daston |
505 | 8 | 0 | |t Impressed images : reproducing wonders |r Katharine Park |
505 | 8 | 0 | |t Iconography between the history of art and the history of science : art, science, and the case of the urban bee |r David Freedberg |
505 | 8 | 0 | |t Hieronymus Bosch's world picture |r Joseph Leo Koerner |
505 | 8 | 0 | |t Judgement against objectivity |r Peter Galison |
505 | 8 | 0 | |t Eclectic subjectivity and the impossibility of female beauty |r Jan Goldstein --Visualization and visibility / Joel Snyder |
505 | 8 | 0 | |t The studio, the laboratory, and the vexations of art |r Svetlana Alpers |
505 | 8 | 0 | |t How to be iconophilic in art, science, and religion? |r Bruno Latour |
505 | 8 | 0 | |t On astronomical drawing |r Simon Schaffer |
505 | 8 | 0 | |t Attention and modernity in the nineteenth century |r Jonathan Crary. |
520 | |a Style as inclusion, style as exculsion / Carlo Ginzburg -- The affective properties of styles : an inquiry into analytical process and the inscription of meaning in art history / Irene J. Winter -- Style/type/standard : the production of technological resemblance / Amy Slaton -- Miracles of bodily transformation, or, how St. Francis received the stigmata / Arnold Davidson -- Lost knowledge, bodies of ignorance, and the poverty of taxonomy as illustrated by the curious fate of Flos pavonis, an abortifacient / Londa Schiebinger -- The sex of the machine : mechanomorphic art, new women, and Francis Picabia's neurasthenic cure / Caroline A. Jones -- Deanimations : maps and portraits of life itself / Donna Haraway -- Vision and cognition / Krzysztof Pomian -- Nature by design / Lorraine Daston -- Impressed images : reproducing wonders / Katharine Park -- Iconography between the history of art and the history of science : art, science, and the case of the urban bee / David Freedberg -- Hieronymus Bosch's world picture / Joseph Leo Koerner -- Judgement against objectivity / Peter Galison -- Eclectic subjectivity and the impossibility of female beauty / Jan Goldstein --Visualization and visibility / Joel Snyder -- The studio, the laboratory, and the vexations of art / Svetlana Alpers -- How to be iconophilic in art, science, and religion? / Bruno Latour -- On astronomical drawing / Simon Schaffer -- Attention and modernity in the nineteenth century / Jonathan Crary | ||
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STB | 0 | 0 | |a Art,Art,Science,Science,Sciences de la nature,Sciences de la nature,Sciences,Sciences,Sciences (motif),Sciences |
STC | 0 | 0 | |a Arte,Arte,Ciencia,Ciencia,Ciencias,Ciencias naturales,Ciencias naturales |
STD | 0 | 0 | |a Arte,Arte,Scienza <motivo>,Scienza,Sapere,Sapere,Sapere (motivo),Sapere,Scienze naturali,Scienze naturali |
STE | 0 | 0 | |a 科学,科学,学科,学科,自然科学,自然科学,艺术 |
STF | 0 | 0 | |a 科學,科學,學科,學科,自然科學,自然科學,藝術 |
STG | 0 | 0 | |a Arte,Arte,Ciência,Ciência,Ciências naturais,Ciências naturais |
STH | 0 | 0 | |a Естественные науки (мотив),Естественные науки,Искусство (мотив),Искусство,Наука (мотив),Наука |
STI | 0 | 0 | |a Επιστήμη (μοτίβο),Επιστήμη,Τέχνη (μοτίβο),Τέχνη,Φυσικές επιστήμες (μοτίβο),Φυσικές επιστήμες |
SUB | |a REL | ||
SYG | 0 | 0 | |a Wissenschaften,Science,Bürgerliche Wissenschaft,Wissenschaften , Bildende Kunst,Kunstdenkmal , Bildende Kunst,Kunstdenkmal , Naturforschung,Naturlehre,Naturwissenschaft,Naturforschung,Naturlehre,Naturwissenschaft |