Picturing science, producing art

Style as inclusion, style as exculsion / Carlo Ginzburg -- The affective properties of styles : an inquiry into analytical process and the inscription of meaning in art history / Irene J. Winter -- Style/type/standard : the production of technological resemblance / Amy Slaton -- Miracles of bodily t...

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Bibliographic Details
Contributors: Jones, Caroline A. 1954- (Other) ; Galison, Peter 1955- (Other)
Format: Print Book
Language:English
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Check availability: HBZ Gateway
WorldCat: WorldCat
Fernleihe:Fernleihe für die Fachinformationsdienste
Published: New York, NY [u.a.] Routledge 1998
In:Year: 1998
Volumes / Articles:Show volumes/articles.
Standardized Subjects / Keyword chains:B Science / Art
B Art / Natural sciences
Further subjects:B Collection of essays
B Art and science
Online Access: Table of Contents
Verlagsangaben (Verlag)

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245 1 0 |a Picturing science, producing art  |c Caroline A. Jones; Peter Galison, eds. 
264 1 |a New York, NY [u.a.]  |b Routledge  |c 1998 
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505 8 0 |t Style as inclusion, style as exculsion  |r Carlo Ginzburg 
505 8 0 |t The affective properties of styles : an inquiry into analytical process and the inscription of meaning in art history  |r Irene J. Winter 
505 8 0 |t Style/type/standard : the production of technological resemblance  |r Amy Slaton 
505 8 0 |t Miracles of bodily transformation, or, how St. Francis received the stigmata  |r Arnold Davidson 
505 8 0 |t Lost knowledge, bodies of ignorance, and the poverty of taxonomy as illustrated by the curious fate of Flos pavonis, an abortifacient  |r Londa Schiebinger 
505 8 0 |t The sex of the machine : mechanomorphic art, new women, and Francis Picabia's neurasthenic cure  |r Caroline A. Jones 
505 8 0 |t Deanimations : maps and portraits of life itself  |r Donna Haraway 
505 8 0 |t Vision and cognition  |r Krzysztof Pomian 
505 8 0 |t Nature by design  |r Lorraine Daston 
505 8 0 |t Impressed images : reproducing wonders  |r Katharine Park 
505 8 0 |t Iconography between the history of art and the history of science : art, science, and the case of the urban bee  |r David Freedberg 
505 8 0 |t Hieronymus Bosch's world picture  |r Joseph Leo Koerner 
505 8 0 |t Judgement against objectivity  |r Peter Galison 
505 8 0 |t Eclectic subjectivity and the impossibility of female beauty  |r Jan Goldstein --Visualization and visibility / Joel Snyder 
505 8 0 |t The studio, the laboratory, and the vexations of art  |r Svetlana Alpers 
505 8 0 |t How to be iconophilic in art, science, and religion?  |r Bruno Latour 
505 8 0 |t On astronomical drawing  |r Simon Schaffer 
505 8 0 |t Attention and modernity in the nineteenth century  |r Jonathan Crary. 
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