Contemporary Irish cinema: from the quiet man to dancing at Lughnasa
| Contributors: | |
|---|---|
| Format: | Print Book |
| Language: | English |
| Subito Delivery Service: | Order now. |
| Check availability: | HBZ Gateway |
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Syracuse, NY
Syracuse Univ. Press
1999
|
| In: | Year: 1999 |
| Volumes / Articles: | Show volumes/articles. |
| Edition: | 1. ed. |
| Series/Journal: | Irish studies
|
| Standardized Subjects / Keyword chains: | B
Ireland
/ Film
B Ireland / Film / History 1952-1998 |
| Further subjects: | B
Collection of essays
B Motion Pictures Ireland |
| Online Access: |
Inhaltsverzeichnis (Verlag) |
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| 245 | 1 | 0 | |a Contemporary Irish cinema |b from the quiet man to dancing at Lughnasa |c ed. by James MacKillop |
| 250 | |a 1. ed. | ||
| 264 | 1 | |a Syracuse, NY |b Syracuse Univ. Press |c 1999 | |
| 300 | |a XIV, 290 S |c 23,5 cm | ||
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| 490 | 0 | |a Irish studies | |
| 500 | |a Includes bibliographical references (p. 245-250) and index | ||
| 505 | 8 | 0 | |t Shamrocks and shillelaghs : idyll and ideology in Irish cinema |r Harlan Kennedy |
| 505 | 8 | 0 | |t Shamrocks and shillelaghs : idyll and ideology in Irish cinema |r Harlan Kennedy |
| 505 | 8 | 0 | |t Poetic documentary : the films of John T. Davis |r Kathleen McCracken |
| 505 | 8 | 0 | |t History without borders : Neil Jordan's Michael Collins |r Brian McIlroy |
| 505 | 8 | 0 | |t "Past is always there in the present" : Fools of Fortune and the heritage film |r John Hill |
| 505 | 8 | 0 | |t December Bride : a landscape peopled differently |r Martin McLoone |
| 505 | 8 | 0 | |t Revising resistance : In the Name of the Father as postcolonial paternal melodrama |r Margot Gayle Backus |
| 505 | 8 | 0 | |t "Different countries, different worlds" : the representation of Northern Ireland in Stewart Parker's Lost Belongings |r Jennifer C Cornell |
| 505 | 8 | 0 | |t "I kinda liked you as a girl" : masculinity, postcolonial queens, and the "nature" of terrorism in Neil Jordan's The Crying Game |r Maria Pramaggiore |
| 505 | 8 | 0 | |t Neil Jordan's Miracle : from fiction to film |r Kathleen Gallagher Winarski |
| 505 | 8 | 0 | |t Man's mythic journey and the female principle in My Left Foot |r Douglas Brode |
| 505 | 8 | 0 | |t Huston and Joyce : bringing "The Dead" to the screen |r Moylan C. Mills |
| 505 | 8 | 0 | |t Cathal Black's Pigs : ambivalence, confinement, and the search for an Irish sense of place |r Jim Loter |
| 505 | 8 | 0 | |t Elephant at the altar : religion in contemporary Irish cinema |r Pamela Dolan |
| 505 | 8 | 0 | |t Cinematic images of Irish male brutality and the semiotics of landscape in The Field and Hear My Song |r Kerstin Ketteman |
| 505 | 8 | 0 | |t Synge on film : two Playboys |r Sanford Sternlicht |
| 505 | 8 | 0 | |t Quiet Man speaks |r James MacKillop |
| 505 | 8 | 0 | |t Selected filmography of Irish and Irish-related feature films |r Anthony Kirby and James MacKillop. |
| 505 | 8 | 0 | |t Poetic documentary : the films of John T. Davis |r Kathleen McCracken |
| 505 | 8 | 0 | |t History without borders : Neil Jordan's Michael Collins |r Brian McIlroy |
| 505 | 8 | 0 | |t "Past is always there in the present" : Fools of Fortune and the heritage film |r John Hill |
| 505 | 8 | 0 | |t December Bride : a landscape peopled differently |r Martin McLoone |
| 505 | 8 | 0 | |t Revising resistance : In the Name of the Father as postcolonial paternal melodrama |r Margot Gayle Backus |
| 505 | 8 | 0 | |t "Different countries, different worlds" : the representation of Northern Ireland in Stewart Parker's Lost Belongings |r Jennifer C Cornell |
| 505 | 8 | 0 | |t "I kinda liked you as a girl" : masculinity, postcolonial queens, and the "nature" of terrorism in Neil Jordan's The Crying Game |r Maria Pramaggiore |
| 505 | 8 | 0 | |t Neil Jordan's Miracle : from fiction to film |r Kathleen Gallagher Winarski |
| 505 | 8 | 0 | |t Man's mythic journey and the female principle in My Left Foot |r Douglas Brode |
| 505 | 8 | 0 | |t Huston and Joyce : bringing "The Dead" to the screen |r Moylan C. Mills |
| 505 | 8 | 0 | |t Cathal Black's Pigs : ambivalence, confinement, and the search for an Irish sense of place |r Jim Loter |
| 505 | 8 | 0 | |t Elephant at the altar : religion in contemporary Irish cinema |r Pamela Dolan |
| 505 | 8 | 0 | |t Cinematic images of Irish male brutality and the semiotics of landscape in The Field and Hear My Song |r Kerstin Ketteman |
| 505 | 8 | 0 | |t Synge on film : two Playboys |r Sanford Sternlicht |
| 505 | 8 | 0 | |t Quiet Man speaks |r James MacKillop |
| 505 | 8 | 0 | |t Selected filmography of Irish and Irish-related feature films |r Anthony Kirby and James MacKillop. |
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