The challenge of the silver screen: an analysis of the cinematic portraits of Jesus, Rama, Buddha and Muhammad

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Bibliographic Details
Published in:Studies in religion and the arts
Main Author: Bakker, Freek L. 1951- (Author)
Format: Print Book
Language:English
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Published: Leiden [u.a.] Brill 2009
In: Studies in religion and the arts (1)
Reviews:[Rezension von: Bakker, Freek L., 1951-, The challenge of the silver screen] (2010) (Pezzoli-Olgiati, Daria, 1966 -)
Series/Journal:Studies in religion and the arts 1
Standardized Subjects / Keyword chains:B Film / Founder of religion / History
B Jesus Christus / Rama Deity / Buddha 563 BC-483 BC / Muḥammad 570-632 / Film
RelBib Classification:AG Religious life; material religion
AX Inter-religious relations
Further subjects:B Religion in motion pictures
B Gods in motion pictures
B Religious leaders in motion pictures
B Motion Pictures Religious aspects
B Religious films History and criticism
B Religious films History and criticism
B Motion pictures Religious aspects
Online Access: Inhaltsverzeichnis (Verlag)
Klappentext (Verlag)

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245 1 4 |a The challenge of the silver screen  |b an analysis of the cinematic portraits of Jesus, Rama, Buddha and Muhammad  |c by Freek L. Bakker 
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500 |a Includes bibliographical references and index -- Includes filmography and videography 
505 8 0 |a Jesus. A short history -- Analysis -- Historical background -- Many images, one Jesus -- Rama. The films -- Historical background -- The importance of seeing in Hinduism -- The modern Ramayana Kathas -- Buddha. The films -- Historical background -- Resistance to depicting Buddha in film -- Thanks to the Hindus and the Westerners -- Muhammad. The film itself -- The film's relationship to the Muslim tradition -- Conclusions -- Jesus restyled. The Indian Jesus films -- The South African Jesus film -- The Jesus film of the African-American Christians -- Siding with powerless and victims of discrimination -- Some conclusions. Between tradition and creativity : the importance of the audience -- Film, narration modes and subjectivity -- The positions of the actors playing the sacred figures -- The sacred environment -- Outside the cultural context of the religions -- Between the void, images and films : again a key position for the audience. 
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