Virgil in the Renaissance

"The disciplines of classical scholarship were established in their modern form between 1300 and 1600, and Virgil was a test case for many of them. This book is concerned with what became of Virgil in this period, how he was understood, and how his poems were recycled. What did readers assume a...

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Bibliographic Details
Main Author: Wilson-Okamura, David Scott 1970- (Author)
Format: Print Book
Language:English
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Check availability: HBZ Gateway
WorldCat: WorldCat
Interlibrary Loan:Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany)
Published: Cambridge [u.a.] Cambridge Univ. Press 2010
In:Year: 2010
Reviews:[Rezension von: Wilson-Okamura, David Scott, Virgil in the Renaissance] (2011) (Joost-Gaugier, Christiane L.)
Edition:1. publ.
Standardized Subjects / Keyword chains:B Virgil 70 BC-19 BC / Reception / Europe / History 1300-1600
Further subjects:B European literature Renaissance, 1450-1600 Classical influences
B Authors and readers (Europe) History To 1500
B Authors and readers Europe History To 1500
B Literature, Medieval Classical influences
B Authors and readers Europe History 16th century
B Virgil Appreciation (Europe)
B Authors and readers (Europe) History 16th century
B Virgil Influence
B Literature, Medieval Classical influences
B European literature Renaissance, 1450-1600 Classical influences
B Virgil Influence
B Virgil Appreciation Europe
Online Access: Table of Contents (Publisher)

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505 8 |a Machine generated contents note: Introduction; Part I. Publication: 1. Virgil with an i; Part II. Reputation: 2. Patronage and the Eclogues; 3. Variety and the Georgics; 4. Morals and minimalism; Part III. Interpretation: 5. Virgil's Odyssey; 6. Virgil's Iliad; Epilogue; Appendix A. Virgil commentaries (alphabetical); Appendix B. Virgil commentaries (ranked). 
520 |a "The disciplines of classical scholarship were established in their modern form between 1300 and 1600, and Virgil was a test case for many of them. This book is concerned with what became of Virgil in this period, how he was understood, and how his poems were recycled. What did readers assume about Virgil in the long decades between Dante and Sidney, Petrarch and Spenser, Boccaccio and Ariosto? Which commentators had the most influence? What story, if any, was Virgil's Eclogues supposed to tell? What was the status of his Georgics? Which parts of his epic attracted the most imitators? Building on specialized scholarship of the last hundred years, this book provides a panoramic synthesis of what scholars and poets from across Europe believed they could know about Virgil's life and poetry"--Provided by publisher 
520 |a "Do not let me hear Of the wisdom of old men, but rather of their folly. It is a rich tale and strange, even for one poet, and when that poet is Virgil, a central author in the European tradition, the interest - and the intricacy - are both magnified"--Provided by publisher 
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