'Tonus peregrinus': the history of a psalm-tone and its use in polyphonic music
Investigates the historical role of a deviant psalm-tone, the tonus peregrinus, focusing on its applications in polyphonic music within all major branches of Western liturgy. Throughout the remarkably persistent tradition of applying this melody to polyphony, from the ninth century right up to the 2...
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| Format: | Print Book |
| Language: | English |
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| WorldCat: | WorldCat |
| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
Farnham, Surrey, England [u.a.]
Ashgate
2011
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| In: | Year: 2011 |
| Reviews: | [Rezension von: Lundberg, Mattias, Tonus Peregrinus: The History of a Psalm-Tone and Its Use in Polyphonic Music] (2013) (Eden, Bradford Lee)
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| Standardized Subjects / Keyword chains: | B
Tonus peregrinus
/ Counterpoint
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| Further subjects: | B
Counterpoint
B Tonus peregrinus History B Tonus peregrinus |
MARC
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| 245 | 1 | 0 | |a 'Tonus peregrinus' |b the history of a psalm-tone and its use in polyphonic music |c Mattias Lundberg |
| 264 | 1 | |a Farnham, Surrey, England [u.a.] |b Ashgate |c 2011 | |
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| 500 | |a Formerly CIP Uk. - Includes bibliographical references and index | ||
| 505 | 8 | 0 | |a Theory, method and conventionsHistorical background of the tonus peregrinus in monophonic practice -- Singled out as a model : the tonus peregrinus in polyphony before 1500 -- The role of the tonus peregrinus in the extended modal systems of Glareanus and Zarlino -- The rise of an idiom : the use of the tonus peregrinus in French court liturgies of the sixteenth century -- Ambitious obbligo or lack of invention : the tonus peregrinus in Italian-speaking areas in the sixteenth century -- Liberty with rigour : the tonus peregrinus in sixteenth-century Iberian music -- Total thematicism and multi-texted motets : the tonus peregrinus in sixteenth-century Roman Catholic liturgies of northern and central Europe -- "Mit szonderlicher ziemlicher Weisz" : the tonus peregrinus in sixteenth-century Lutheranism -- In faburden and upon faburden : the tonus peregrinus in sixteenth-century English liturgies -- One applied and one discreet method : the tonus peregrinus in Roman Catholicism 1600-1750 -- A handmaiden of many different voices : the tonus peregrinus in Lutheranism 1600-1750 -- The continuing tradition : the tonus peregrinus in music after 1750 -- Conclusions. |
| 505 | 8 | 0 | |a Theory, method and conventions : historical background of the tonus peregrinus in monophonic practice -- Singled out as a model : the tonus peregrinus in polyphony before c.1500 -- The role of the tonus peregrinus in the extended modal systems of Glareanus and Zarlino -- The rise of an idiom : the use of the tonus peregrinus in connection with the French court liturgies of the sixteenth century -- Ambitious obbligo or lack of invention : the tonus peregrinus in Italian-speaking areas during the sixteenth century -- Liberty with rigour : the tonus peregrinus in sixteenth-century Iberian music -- Total thematicism and multi-texted motets : the tonus peregrinus in sixteenth-century Roman Catholic liturgies of northern and central Europe -- "Mit szonderlicher ziemlicher weisz" : the tonus peregrinus in sixteenth-century Lutheranism -- In faburden and upon faburden : the tonus peregrinus in sixteenth-century English liturgies -- One applied and one discreet method : the tonus peregrinus in Roman Catholicism c.1600-c.1750 -- A hand-maiden of many different voices : the tonus peregrinus in Lutheranism c.1600-c.1750 -- The continuing tradition : appearances of the tonus peregrinus in music after c.1750 -- -- Concluding observations and annotations. |
| 520 | |a Investigates the historical role of a deviant psalm-tone, the tonus peregrinus, focusing on its applications in polyphonic music within all major branches of Western liturgy. Throughout the remarkably persistent tradition of applying this melody to polyphony, from the ninth century right up to the 21st, coeval music theory is able to shed light on the problems it has posed to modal and tonal practice at various historical stages. The musical settings studied hold up a mirror to the general development of psalmody, concerning practices of organum, diverse regional forms of fauxbourdon, cantus firmus composition, free imitation, parody, fugue, quodlibet, monody, and many other compositional techniques where the unique features of the psalm-tone have necessitated modification of existing practices. The conclusions drawn reveal a musico-liturgical tradition that was not in real danger of extinction until the general decline of Western liturgy that followed in the 18th century, at which point the historiography of the tonus peregrinus became a factor stimulating scholarly and musical interest in its alleged pre-Christian origins. The succession of works based on the tonus peregrinus often preserved a distinctly conservative musical and theological conception even during periods of drastic liturgical reform. | ||
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| STD | 0 | 0 | |a Polifonia |
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