Deep symbols and mythic imagination in the hermeneutics of creation texts
This article reflects on creation through the lens of different traditions of Christian scholarship, and argues for a returning of the theology of creation to its rightful place at the centre of theological discourse about God's relationship with the world—intrinsically linked to the economy of...
Main Author: | |
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Format: | Electronic/Print Article |
Language: | English |
Check availability: | HBZ Gateway |
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Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
Routledge
2009
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In: |
Islam and Christian-Muslim relations
Year: 2009, Volume: 20, Issue: 3, Pages: 227-245 |
Further subjects: | B
Schöpfungstheologie
B Bible B Hermeneutics B creation theology |
Online Access: |
Volltext (doi) |
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520 | |a This article reflects on creation through the lens of different traditions of Christian scholarship, and argues for a returning of the theology of creation to its rightful place at the centre of theological discourse about God's relationship with the world—intrinsically linked to the economy of salvation and not in opposition to it. It posits a necessary re-visioning of the relationship between humanity and other-than-human creation via a re-evaluation of the epistemological function of symbol and myth, and a re-examining of the governing principles within myth typologies and their implicit axioms within creation theology. The hermeneutical insights of philosopher Paul Ricoeur and biblical exegete Claus Westermann are brought into conversation. Building on the Ricoeurian epistemological axiom that ‘the symbol gives rise to thought’, the article avers the creation imaginary as a deep and formative symbol of God's free and loving purposes enacted through different and even contesting cultures and traditions and within the whole cosmos. In imaginative dialogical rereading, the community of faith can be open to God's free and loving relationship with all creation, thus also participating in the divine work of renewing the face of the earth. | ||
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