The last Plantagenet consorts: gender, genre, and historiography, 1440 - 1627
"Most modern accounts of fifteenth-century queens understandably focus on separating what really happened from what was fabricated. What has not been considered in any detail, however, is the fabrications themselves as narratives, and as reflections of questions and anxieties that haunted their...
MARC
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| 245 | 1 | 4 | |a The last Plantagenet consorts |b gender, genre, and historiography, 1440 - 1627 |c Kavita Mudan Finn |
| 250 | |a 1. publ. | ||
| 264 | 1 | |a New York, NY [u.a.] |b Palgrave Macmillan |c 2012 | |
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| 500 | |a Includes bibliographical references | ||
| 520 | |a "Most modern accounts of fifteenth-century queens understandably focus on separating what really happened from what was fabricated. What has not been considered in any detail, however, is the fabrications themselves as narratives, and as reflections of questions and anxieties that haunted their writers. By focusing on the relationship between gender and genre and the way embedded literary narratives echo across texts as disparate as chronicles, parliamentary proceedings, diplomatic correspondence, ballads, poetry, and drama, this study reveals hitherto unexplored tensions within these texts, generated by embedded narratives and their implications"-- | ||
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| 787 | 0 | 8 | |i Rezensiert in |a Stearn, Catherine Howey |t [Rezension von: Finn, Kavita Mudan, The Last Plantagenet Consorts: Gender, Genre and Historiography, 1440–1627] |d 2014 |w (DE-627)1802433694 |
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