The Baptized muse: early Christian poetry as cultural authority
"With the rise of Christianity in the Roman Empire increasing numbers of educated people converted to this new belief. As Christianity did not have its own educational institutions the issue of how to harmonize pagan education and Christian convictions became increasingly pressing. Especially c...
Main Author: | |
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Format: | Print Book |
Language: | English Latin |
Subito Delivery Service: | Order now. |
Check availability: | HBZ Gateway |
WorldCat: | WorldCat |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
Oxford New York
Oxford University Press
[2017]
|
In: | Year: 2017 |
Edition: | First edition |
Standardized Subjects / Keyword chains: | B
Church
/ Christian Poetry
/ Cultural identity
/ Culture sociology
B Latin / Greek language / Literature / Reception / Christianity |
Further subjects: | B
Christian poetry, Latin
History and criticism
B Christian Poetry |
Online Access: |
Inhaltsverzeichnis (Verlag) Review |
Parallel Edition: | Electronic
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245 | 1 | 4 | |a The Baptized muse |b early Christian poetry as cultural authority |c Karla Pollmann |
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520 | |a "With the rise of Christianity in the Roman Empire increasing numbers of educated people converted to this new belief. As Christianity did not have its own educational institutions the issue of how to harmonize pagan education and Christian convictions became increasingly pressing. Especially classical poetry, the staple diet of pagan education, was considered to be morally corrupting (due to its deceitful mythological content) and damaging for the salvation of the soul (because of the false gods it advocated). But Christianity recoiled from an unqualified anti-intellectual attitude, while at the same time the experiment of creating an idiosyncratic form of genuinely Christian poetry failed (the sole exception being the poet Commodianus). In The Baptized Muse: Early Christian Poetry as Cultural Authority, Karla Pollmann argues that, instead, Christian poets made creative use of the classical literary tradition, and - in addition to blending it with Judaeo-Christian biblical exegesis exploited poetry's special ability of enhancing communicative effectiveness and impact through aesthetic means. Pollman explores these strategies through a close analysis of a wide range of Christian, and for comparison partly also pagan, writers mainly from the fourth to sixth centuries. She reveals that early Christianity was not a hermetically sealed uniform body, but displays a rich spectrum of possibilities in dealing with the past and a willingness to engage with and adapt the surrounding culture(s), thereby developing diverse and changing responses to historical challenges. By demonstrating throughout that authority is a key in understanding the long denigrated and misunderstood early Christian poets, this book reaches the ground-breaking conclusion that early Christian poetry is an art form that gains its justification by adding cultural authority to Christianity. Thus, in a wider sense it engages with the recently developed interdisciplinary scholarly interest in aspects of religion as cultural phenomena" -- | ||
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STD | 0 | 0 | |a Cristianesimo delle origini,Cristianesimo,Cristianesimo,Greco,Identità culturale,Identità culturale,Latino,Letteratura,Letteratura,Poesia cristiana,Ricezione,Ricezione,Sociologia della cultura |
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STF | 0 | 0 | |a 基督教,基督教,基督教世界觀,基督教詩,基督教詩歌,希臘語,希臘文,拉丁文,接受,接收,文化社會學,文化認同,文化身份,文學,早期基督教 |
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