Gesture and power: religion, nationalism, and everyday performance in Congo

In Gesture and Power Yolanda Covington-Ward examines the everyday embodied practices and performances of the BisiKongo people of the lower Congo to show how their gestures, dances, and spirituality are critical in mobilizing social and political action. Conceiving of the body as the center of analys...

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Détails bibliographiques
Auteur principal: Covington-Ward, Yolanda (Auteur)
Type de support: Électronique Livre
Langue:Anglais
Vérifier la disponibilité: HBZ Gateway
Fernleihe:Fernleihe für die Fachinformationsdienste
Publié: Durham London Duke University Press 2016
Dans:Année: 2016
Collection/Revue:Knowledge Unlatched Round 2 Collection Duke University Press
RelBib Classification:AD Sociologie des religions
KBN Afrique subsaharienne
Sujets non-standardisés:B Congos Peuple
B Religion
B Langage du corps
B Société
B Demokratische Republik Kongo
B Communication
B Danse
Accès en ligne: Volltext (kostenfrei)
Description
Résumé:In Gesture and Power Yolanda Covington-Ward examines the everyday embodied practices and performances of the BisiKongo people of the lower Congo to show how their gestures, dances, and spirituality are critical in mobilizing social and political action. Conceiving of the body as the center of analysis, a catalyst for social action, and as a conduit for the social construction of reality, Covington-Ward focuses on specific flashpoints in the last ninety years of Congo's troubled history, when embodied performance was used to stake political claims, foster dissent, and enforce power. In the 1920s Simon Kimbangu started a Christian prophetic movement based on spirit-induced trembling, which swept through the lower Congo, subverting Belgian colonial authority. Following independence, dictator Mobutu Sese Seko required citizens to dance and sing nationalist songs daily as a means of maintaining political control. More recently, embodied performance has again stoked reform, as nationalist groups such as Bundu dia Kongo advocate for a return to pre-colonial religious practices and non-Western gestures such as traditional greetings. In exploring these embodied expressions of Congolese agency, Covington-Ward provides a framework for understanding how embodied practices transmit social values, identities, and cultural history throughout Africa and the diaspora.This title was made Open Access by libraries from around the world through Knowledge Unlatched
ISBN:0822374846