Redeeming Mary, Redeeming Jesus: Mary Magdalene in The Last Temptation of Christ
This article argues that Martin Scorsese’s Mary Magdalene is as unique as Scorsese’s Jesus; she plays an integral role in the film, both in her own journey, and as a central catalyst in Jesus’ transformation. In these and other ways, The Last Temptation of Christ both redeems Mary Magdalene and port...
Autres titres: | Special Issue: Mary Magdalene and Film |
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Auteur principal: | |
Type de support: | Électronique Article |
Langue: | Anglais |
Vérifier la disponibilité: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Publié: |
Brill
2022
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Dans: |
Journal for the study of the historical Jesus
Année: 2022, Volume: 20, Numéro: 3, Pages: 170-178 |
Sujets / Chaînes de mots-clés standardisés: | B
Schrader, Paul 1946-
/ Kazantzakēs, Nikos 1883-1957
/ Scorsese, Martin 1942-
/ Judas, Iskariot
/ Traumatisme
/ Sexualité
/ Prostitution
/ Crucifixion
/ Discipolat
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RelBib Classification: | HC Nouveau Testament ZG Sociologie des médias; médias numériques; Sciences de l'information et de la communication |
Accès en ligne: |
Volltext (lizenzpflichtig) Volltext (lizenzpflichtig) |
Résumé: | This article argues that Martin Scorsese’s Mary Magdalene is as unique as Scorsese’s Jesus; she plays an integral role in the film, both in her own journey, and as a central catalyst in Jesus’ transformation. In these and other ways, The Last Temptation of Christ both redeems Mary Magdalene and portrays her as a redeemer of Jesus. |
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ISSN: | 1745-5197 |
Référence: | Kommentar in "Mary Magdalene in Film (2022)"
Kommentar in "Magdalene Response (2022)" |
Contient: | Enthalten in: Journal for the study of the historical Jesus
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Persistent identifiers: | DOI: 10.1163/17455197-bja10017 |