Clothing sacred scriptures: book art and book religion in Christian, Islamic and Jewish cultures

According to a longstanding interpretation, book religions are agents of textuality and logocentrism. This volume inverts the traditional perspective: its focus is on the strong dependency between scripture and aesthetics, holy books and material artworks, sacred texts and ritual performances. The c...

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Bibliographic Details
Published in:Manuscripta Biblica
Contributors: Ganz, David 1952- (Editor) ; Schellewald, Barbara Maria 1952- (Editor)
Format: Electronic Book
Language:English
German
Check availability: HBZ Gateway
Fernleihe:Fernleihe für die Fachinformationsdienste
Published: Berlin Boston De Gruyter [2019]
In: Manuscripta Biblica (Volume 2)
Series/Journal:Manuscripta Biblica Volume 2
Standardized Subjects / Keyword chains:B Christianity / Islam / Illuminated manuscript / History 500-1500
B Judaica / Book illumination / History 500-1500
B Fine bindings / Liturgical manuscript / History 500-1500
B Holy books / Handwriting / Book design / Judaism / Christianity / Islam / History 500-1500
Further subjects:B Collection of essays
B Religious Literature History and criticism
B Religion of the book
B Materiality
B Sacred Books History and criticism
B Aesthetics Religious aspects
B Ornament
B Art and religion
B Book illumination
B Embellishment (Music)
B Book religion
B Wesentlichkeit
Online Access: Cover
Cover (Verlag)
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Volltext (lizenzpflichtig)
Parallel Edition:Non-electronic
Description
Summary:According to a longstanding interpretation, book religions are agents of textuality and logocentrism. This volume inverts the traditional perspective: its focus is on the strong dependency between scripture and aesthetics, holy books and material artworks, sacred texts and ritual performances. The contributions, written by a group of international specialists in Western, Byzantine, Islamic and Jewish Art, are committed to a comparative and transcultural approach. The authors reflect upon the different strategies of »clothing« sacred texts with precious materials and elaborate forms. They show how the pretypographic cultures of the Middle Ages used book ornaments as media for building a close relation between the divine words and their human audience. By exploring how art shapes the religious practice of books, and how the religious use of books shapes the evolution of artistic practices this book contributes to a new understanding of the deep nexus between sacred scripture and art.
ISBN:3110558602
Persistent identifiers:DOI: 10.1515/9783110558609