Kierkegaard and the Self-Conscious Literary Tradition: An Interpretation of the Ludic Aspects of Kierkegaard’s Pseudonymous Authorship from a Literary-Historical Perspective

Kierkegaard’s pseudonymous authorship is characterized by a profusion of literary techniques that belong to the tradition of the ludic or selfconscious novel (the fiction that makes its fictionality manifest). In the present contribution the self-conscious literary plays carried out by Kierkegaard w...

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Bibliographic Details
Main Author: Jensen, Julio (Author)
Format: Electronic Article
Language:English
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Published: De Gruyter 2015
In: Kierkegaard studies. Yearbook
Year: 2015, Volume: 20, Issue: 1, Pages: 179-200
RelBib Classification:TJ Modern history
VA Philosophy
Online Access: Volltext (Verlag)
Description
Summary:Kierkegaard’s pseudonymous authorship is characterized by a profusion of literary techniques that belong to the tradition of the ludic or selfconscious novel (the fiction that makes its fictionality manifest). In the present contribution the self-conscious literary plays carried out by Kierkegaard will be interpreted from the perspective of the philosophy of the subject, since both the self-conscious novel and Kierkegaard’s production can be related to this philosophical tradition. The article is organized as follows: first appears a very brief sketch of the way in which self-conscious literature and the philosophy of the subject are related. After this, follows a commentary on the notion of individuality in On the Concept of Irony. Kierkegaard’s dissertation is read as a work in the tradition of the philosophy of the subject that, at the same time, surpasses the idea of subjectivity as metaphysical principle. Finally, a close reading of Either/Or intends to show how Kierkegaard develops his ideas about subjectivity in a literary frame-that of the self-conscious novel
ISSN:1612-9792
Contains:In: Kierkegaard studies. Yearbook
Persistent identifiers:DOI: 10.1515/kierke-2015-0110