Jewish Performance as a Means for Constructing the Society of “Living Together”
In this article, I propose an ethnography of the Festival Internacional Murcia Tres Culturas, and more particularly of the performance of the Sandra Bessis Trio to reflect on the means, role and impact of the representation of Jewish identity in a Spanish World Art/World Music festival. On one hand,...
| Auteur principal: | |
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| Type de support: | Électronique Article |
| Langue: | Anglais |
| Vérifier la disponibilité: | HBZ Gateway |
| Journals Online & Print: | En cours de chargement...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Publié: |
Brill
2014
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| Dans: |
European journal of jewish studies
Année: 2014, Volume: 8, Numéro: 1, Pages: 104-125 |
| Sujets non-standardisés: | B
Festival
representation
sacralization, “living together”
world music
world art
Sephardicness
Judeo-Spanish
Spain
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| Accès en ligne: |
Volltext (Verlag) |
| Résumé: | In this article, I propose an ethnography of the Festival Internacional Murcia Tres Culturas, and more particularly of the performance of the Sandra Bessis Trio to reflect on the means, role and impact of the representation of Jewish identity in a Spanish World Art/World Music festival. On one hand, we discern that the festival organizers sacralize the time of Convivencia to create a cosmopolitan event; and on the other that the Trio plays between the desacralization and the sacralization of this past, by using various performance strategies that mobilize instruments, language, repertoire and musicians identity to proceed it. |
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| ISSN: | 1872-471X |
| Contient: | In: European journal of jewish studies
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| Persistent identifiers: | DOI: 10.1163/1872471X-12341258 |