Naqāʾiḍ Poetry in the Post-Umayyad Era
Naqāʾiḍ (biting refutations) are a type of lampoon in which two poets exchange satirical poems that make use of the same prosodic meter and rhyme. Although satire had already been a staple of Arabic poetry in the pre-Islamic era, naqāʾiḍ were further developed and enhanced as an art form in the Umay...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Published: |
2017
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| In: |
Journal of Abbasid Studies
Year: 2017, Volume: 4, Issue: 1, Pages: 97-121 |
| Further subjects: | B
Abbasid naqāʾiḍ
Ibn Mayyāda
Ḥakam al-Khuḍrī
ʿUmāra b. ʿAqīl
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| Online Access: |
Volltext (Publisher) |
| Summary: | Naqāʾiḍ (biting refutations) are a type of lampoon in which two poets exchange satirical poems that make use of the same prosodic meter and rhyme. Although satire had already been a staple of Arabic poetry in the pre-Islamic era, naqāʾiḍ were further developed and enhanced as an art form in the Umayyad period thanks to three poets: Jarīr, al-Farazdaq and al-Akhṭal. |
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| Physical Description: | Online-Ressource |
| ISSN: | 2214-2371 |
| Contains: | In: Journal of Abbasid Studies
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| Persistent identifiers: | DOI: 10.1163/22142371-12340028 |
