Fidus (1868–1948)

The German painter Hugo Höppener (1868–1948) received the nickname “Fidus” from self-styled prophet Karl Wilhelm Diefenbach (1851–1913), who regarded him as his most trusted disciple. Later, Fidus abandoned Diefenbach for Theosophy, and remained a Theosophist to the end of his days. As he emerged as...

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Bibliographic Details
Published in:Aries
Main Author: Introvigne, Massimo 1955- (Author)
Format: Electronic Article
Language:English
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Published: Brill 2017
In: Aries
Standardized Subjects / Keyword chains:B Fidus 1868-1948 / Diefenbach, Karl Wilhelm 1851-1913 / Theosophy / Art / Esotericism / Symbolics / National Socialism
RelBib Classification:AZ New religious movements
TK Recent history
ZC Politics in general
Further subjects:B Fidus Hugo Höppener Life reform movement Theosophical Society
Online Access: Volltext (Verlag)
Description
Summary:The German painter Hugo Höppener (1868–1948) received the nickname “Fidus” from self-styled prophet Karl Wilhelm Diefenbach (1851–1913), who regarded him as his most trusted disciple. Later, Fidus abandoned Diefenbach for Theosophy, and remained a Theosophist to the end of his days. As he emerged as an extremely popular Art Deco artist and illustrator, he sided with the Adyar Theosophical Society against the schism of Rudolf Steiner (1861–1925). After World War I, however, he regarded Nazism as the only hope for Germany, joined the Nazi Party in 1932, and did not protest the Nazi ban of Theosophy in 1937. Esotericism remained a dominant theme of his art, and he never became a regime artist, although his association with Nazism made him an embarrassment for both Theosophists and art critics, and his important role in the history of German art was acknowledged only recently.
ISSN:1570-0593
Contains:In: Aries
Persistent identifiers:DOI: 10.1163/15700593-01702003