Fidus (1868–1948)

The German painter Hugo Höppener (1868–1948) received the nickname “Fidus” from self-styled prophet Karl Wilhelm Diefenbach (1851–1913), who regarded him as his most trusted disciple. Later, Fidus abandoned Diefenbach for Theosophy, and remained a Theosophist to the end of his days. As he emerged as...

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Bibliographic Details
Main Author: Introvigne, Massimo 1955- (Author)
Format: Electronic Article
Language:English
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Published: Brill 2017
In: Aries
Year: 2017, Volume: 17, Issue: 2, Pages: 215-242
Standardized Subjects / Keyword chains:B Fidus 1868-1948 / Diefenbach, Karl Wilhelm 1851-1913 / Theosophy / Art / Esotericism / Symbolics / National Socialism
RelBib Classification:AZ New religious movements
TK Recent history
ZC Politics in general
Further subjects:B Fidus Hugo Höppener Life reform movement Theosophical Society
Online Access: Volltext (Verlag)

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520 |a The German painter Hugo Höppener (1868–1948) received the nickname “Fidus” from self-styled prophet Karl Wilhelm Diefenbach (1851–1913), who regarded him as his most trusted disciple. Later, Fidus abandoned Diefenbach for Theosophy, and remained a Theosophist to the end of his days. As he emerged as an extremely popular Art Deco artist and illustrator, he sided with the Adyar Theosophical Society against the schism of Rudolf Steiner (1861–1925). After World War I, however, he regarded Nazism as the only hope for Germany, joined the Nazi Party in 1932, and did not protest the Nazi ban of Theosophy in 1937. Esotericism remained a dominant theme of his art, and he never became a regime artist, although his association with Nazism made him an embarrassment for both Theosophists and art critics, and his important role in the history of German art was acknowledged only recently. 
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STE 0 0 |a 信经学,象征,密传教义,密传教义,秘教,密教,秘教,密教,神智学,通神学,纳粹主义,纳粹主义,国家社会主义,国家民族社会主义,国家社会主义,国家民族社会主义,艺术 
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