"Noah's Beasts Were the Stars": Arthur Melbourne Cooper’s Noah’s Ark (1909)
More than one hundred years ago, a now largely forgotten pioneer of the British cinema, Arthur Melbourne Cooper, shot and exhibited Noah’s Ark (Alpha, 1909), the world’s first cinematic depiction of Noah, his ark and the deluge from which it delivered him. This study highlights this remarkable film’...
| Subtitles: | The 2015 International Conference on Religion and Film in Istanbul |
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| Main Author: | |
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
[publisher not identified]
2016
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| In: |
The journal of religion and film
Year: 2016, Volume: 20, Issue: 1, Pages: 1-27 |
| Standardized Subjects / Keyword chains: | B
Melbourne-Cooper, Arthur 1874-1961
/ The Tale of the ark
/ Great Britain
/ Religion
/ Culture
/ History 1837-1901
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| RelBib Classification: | HB Old Testament ZG Media studies; Digital media; Communication studies |
| Online Access: |
Volltext (kostenfrei) |
| Summary: | More than one hundred years ago, a now largely forgotten pioneer of the British cinema, Arthur Melbourne Cooper, shot and exhibited Noah’s Ark (Alpha, 1909), the world’s first cinematic depiction of Noah, his ark and the deluge from which it delivered him. This study highlights this remarkable film’s anticipation of later animated biblical pictures and seeks to contextualize the film’s production and exhibition within both Melbourne Cooper’s oeuvre, and within British religious and visual culture of the late Victorian period. |
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| ISSN: | 1092-1311 |
| Contains: | Enthalten in: The journal of religion and film
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