The Eyes Have it: Film, Editing, and Postmodern Theological Hermeneutics
This article attempts to show the fruitful dialogue which exists when one cross-pollinates hermeneutics and the task of film editing. Though seemingly unrelated, their engagement is a rich collaboration that brings a deeper appreciation for the cinematic process as well as an alternative way of look...
Auteur principal: | |
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Type de support: | Électronique Article |
Langue: | Anglais |
Vérifier la disponibilité: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Publié: |
2016
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Dans: |
The journal of religion and film
Année: 2016, Volume: 20, Numéro: 2, Pages: 1-35 |
Sujets / Chaînes de mots-clés standardisés: | B
Bibel
/ Herméneutique
/ Théologie
/ Film
/ Interprétation
|
RelBib Classification: | FA Théologie VB Herméneutique; philosophie ZG Sociologie des médias; médias numériques; Sciences de l'information et de la communication |
Sujets non-standardisés: | B
Kevin Vanhoozer
B Lev Kuleshov B Film B Editing B Sergei Eisenstein B AKM Adam B Hermeneutics B Walter Murch |
Accès en ligne: |
Volltext (kostenfrei) |