Sinners, Saints, and Angels on Fire: The Curiously Religious Soundtrack of The Hunger Games's Secular Dystopia

Two albums of original pop songs were produced to accompany The Hunger Games (2012) and Catching Fire's (2013) film adaptations. Over half of the contributing musicians employed religious vocabulary and motifs foreign to their source material. Possible influences discussed include religious par...

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Bibliographic Details
Published in:Journal of religion and popular culture
Main Author: Swanson, Kj (Author)
Format: Electronic Article
Language:English
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Published: University of Saskatchewan [2016]
In: Journal of religion and popular culture
Standardized Subjects / Keyword chains:B The hunger games (Film) / The Hunger Games: Catching fire / Film music / Anti-Utopian / Religiosity / The Profane
RelBib Classification:AD Sociology of religion; religious policy
AG Religious life; material religion
CB Christian life; spirituality
CD Christianity and Culture
Further subjects:B Postmodernism
B The Hunger Games
B soundtrack
B Popular Music
B Apocalypse
B Appalachia
B Religion
B Dystopia
B Secularism
B Adaptation
Online Access: Volltext (Verlag)
Volltext (doi)
Description
Summary:Two albums of original pop songs were produced to accompany The Hunger Games (2012) and Catching Fire's (2013) film adaptations. Over half of the contributing musicians employed religious vocabulary and motifs foreign to their source material. Possible influences discussed include religious paradigms associated with the Appalachian-inspired music of the first album, the apocalyptic impulse of contemporary dystopia, and the evolving role of religious imagery within postmodern pluralism. Ultimately, it is argued that despite the areligious content of The Hunger Games, the series' literary genre and cultural context facilitate the blending of the sacred and secular in ways unexpected but not incongruous.
ISSN:1703-289X
Contains:Enthalten in: Journal of religion and popular culture
Persistent identifiers:DOI: 10.3138/jrpc.28.1.3235