The Invocation at Tilburg: Mysticism, Implicit Religion and Gravetemple's Drone Metal

This article investigates implicitly religious practices and explicitly (though ambiguously) religious descriptions of the extreme heavy metal music subgenre of drone metal, in a case study focussing on a concert tour of the band Gravetemple. Responding to a conception of "experience" foun...

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Bibliographic Details
Published in:Implicit religion
Main Author: Coggins, Owen (Author)
Format: Electronic Article
Language:English
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Published: Equinox [2015]
In: Implicit religion
Standardized Subjects / Keyword chains:B Gravetemple (Music group) / Doom Metal / Mysticism / Religiosity
Further subjects:B Certeau
B HEAVY metal music
B Mysticism
B GRAVETEMPLE (Performer)
B Concerts
B Implicit Religion
B Certeau, Michel de, 1925-1986
B drone
Online Access: Presumably Free Access
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Summary:This article investigates implicitly religious practices and explicitly (though ambiguously) religious descriptions of the extreme heavy metal music subgenre of drone metal, in a case study focussing on a concert tour of the band Gravetemple. Responding to a conception of "experience" found in scholarship on mysticism and in Bailey's theoretical framework of Implicit Religion, I suggest a contribution via the work of Michel de Certeau. In The Possession at Loudon (1966), Certeau investigates a seventeenth century incident of demonic possession by presenting a "history of the history" of the event in a compilation of documents with commentary. Adapting this methodology to include ethnographic participant observation fieldwork at Gravetemple concerts and interviews with audience members, I also examine and present here fragments of previews, promotion material, artwork, reviews and comments by attendees, in order to assess the relation between such texts, understandings of implicit religion, and listeners' experience of drone metal.
ISSN:1743-1697
Contains:Enthalten in: Implicit religion
Persistent identifiers:DOI: 10.1558/imre.v18i2.27238