Ernest Bloch, Richard Wagner, and the Myth of Racial Essentialism

Composer Ernest Bloch's Jewish identity is ironically rooted in the notoriously anti-Semitic writings of Richard Wagner. Rather than an indication of self-loathing, Bloch's assimilation of Wagner's ideas into his own thinking exemplifies the seductiveness of racial essentialist though...

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Bibliographic Details
Published in:Studies in Christian-Jewish relations
Main Author: Klaus, Aaron (Author)
Format: Electronic Article
Language:English
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Published: Council of Centers on Jewish-Christian Relations [2018]
In: Studies in Christian-Jewish relations
Year: 2018, Volume: 13, Issue: 1
RelBib Classification:AD Sociology of religion; religious policy
AG Religious life; material religion
BH Judaism
TK Recent history
Further subjects:B Assimilation
B Wagner
B Judaism
B Jewish Identity
B Antisemitism
B Jewish Composers
B Bloch
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Description
Summary:Composer Ernest Bloch's Jewish identity is ironically rooted in the notoriously anti-Semitic writings of Richard Wagner. Rather than an indication of self-loathing, Bloch's assimilation of Wagner's ideas into his own thinking exemplifies the seductiveness of racial essentialist thought in the late nineteenth and early twentieth centuries. An examination of the effects of racial essentialism and Jewish assimilation in post-Emancipation Europe puts Bloch's identity as a Jewish composer in context. Next, a biographical sketch of Bloch's life sheds light on how he grappled with Judaism in his music. Finally, a discussion of Bloch's relationship with Judaism shows the danger of defining Jewish music in racial terms.
ISSN:1930-3777
Contains:Enthalten in: Studies in Christian-Jewish relations
Persistent identifiers:DOI: 10.6017/scjr.v13i1.10404