A Secular for Literary Studies

This essay criticizes two prevailing ways of thinking about the relationship between the secular and the religious—the way of enmity and the way of paradox—and affirms a third, more open-ended approach to the secular that looks to literature for what William Connolly calls “mundane transcendence.” T...

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Détails bibliographiques
Publié dans:Christianity & literature
Auteur principal: Seidel, Kevin (Auteur)
Type de support: Électronique Article
Langue:Anglais
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Publié: Johns Hopkins University Press [2018]
Dans: Christianity & literature
RelBib Classification:AB Philosophie de la religion
BJ Islam
CD Christianisme et culture
TJ Époque moderne
Sujets non-standardisés:B Orhan Pamuk
B Secular
B Novel
B Secularization (Theology)
B GILEAD (Book)
B Marilynne Robinson
B ROBINSON, Marilynne, 1943-
B PAMUK, Orhan, 1952-
B RELIGION & literature
B Secularism
B SNOW (Book)
Accès en ligne: Volltext (lizenzpflichtig)
Description
Résumé:This essay criticizes two prevailing ways of thinking about the relationship between the secular and the religious—the way of enmity and the way of paradox—and affirms a third, more open-ended approach to the secular that looks to literature for what William Connolly calls “mundane transcendence.” The essay then shifts the focus of critical attention from the representation of religion in Marilynne Robinson's Gilead and Orhan Pamuk's Snow to their representation of “the secular.”
ISSN:2056-5666
Contient:Enthalten in: Christianity & literature
Persistent identifiers:DOI: 10.1177/0148333117736197