One Good Turn Deserves Another
Elizabeth Bucar has provided a service to the guild with her introduction to the emergent field of visual ethics. In this comment I undertake to expand the picture she presents. I argue that the visual dimension of ethics includes a dark side not addressed in her piece, and go on to consider a num...
Auteur principal: | |
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Type de support: | Électronique Article |
Langue: | Anglais |
Vérifier la disponibilité: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Publié: |
Wiley-Blackwell
[2017]
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Dans: |
Journal of religious ethics
Année: 2017, Volume: 45, Numéro: 1, Pages: 194-205 |
Sujets non-standardisés: | B
visual ethics
B Visual Culture B distant suffering B ethics and aesthetics B film and ethics |
Accès en ligne: |
Volltext (Verlag) Volltext (doi) |
Résumé: | Elizabeth Bucar has provided a service to the guild with her introduction to the emergent field of visual ethics. In this comment I undertake to expand the picture she presents. I argue that the visual dimension of ethics includes a dark side not addressed in her piece, and go on to consider a number of current avenues of inquiry in which religious ethics intersects with visual studies. After briefly considering some of the distinctive methodological challenges attending the visual turn in ethics, I conclude my survey of this new field with some comments on the moral qualities of cinema. |
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ISSN: | 1467-9795 |
Contient: | Enthalten in: Journal of religious ethics
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Persistent identifiers: | DOI: 10.1111/jore.12173 |