Conjuring Pasts and Ethnographic Presents in Zora Neale Hurston's Modernity

Although history suggests that conjure is a practice hidden from plain view, Zora Neale Hurston's ethnographies unearthed the pervasive and varied ways Black people throughout the diaspora—and Black women especially—used conjure to create a new reality or to disrupt the existing one. In this es...

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Bibliographic Details
Authors: Manigault-Bryant, James A. (Author) ; Manigault-Bryant, Lerhonda S. (Author)
Format: Electronic Article
Language:English
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Published: The Pennsylvania State University Press [2016]
In: Journal of Africana religions
Year: 2016, Volume: 4, Issue: 2, Pages: 225-235
Standardized Subjects / Keyword chains:B Hurston, Zora Neale 1891-1960, Mules and Men / Florida / South Carolina / Women, Black / Conjuration / The Modern
RelBib Classification:AD Sociology of religion; religious policy
AG Religious life; material religion
AZ New religious movements
KBQ North America
TK Recent history
Online Access: Volltext (Verlag)
Volltext (doi)
Description
Summary:Although history suggests that conjure is a practice hidden from plain view, Zora Neale Hurston's ethnographies unearthed the pervasive and varied ways Black people throughout the diaspora—and Black women especially—used conjure to create a new reality or to disrupt the existing one. In this essay, we revisit Hurston's ethnographic and folkloric study Mules and Men to consider the question: What does it mean for Black women in America to conjure in modernity? We use ethnographic examinations of two contemporary locales—one of Florida's fantasy corridors and the South Carolina lowcountry—to unearth how contemporary Black women draw from the conjure tradition Hurston documented eighty years ago. When viewed through Hurston's ethnographic history, contemporary Black women's richly layered conjure practices disrupt the widely destructive effects of modernity.
ISSN:2165-5413
Contains:Enthalten in: Journal of Africana religions
Persistent identifiers:DOI: 10.5325/jafrireli.4.2.0225