Singing of divine identities in a liturgical space? John Damascene's treatise on the Trisagion and his anti-heretical polemics
John Damascene, one of the most productive Greek theologians of the Middle Byzantine era, also composed a treatise on the Trisagion hymn, or how it should be sung correctly and why; a text that has been little discussed in contemporary scholarship. The present paper provides an overview of the work...
Main Author: | |
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Format: | Electronic Article |
Language: | English |
Check availability: | HBZ Gateway |
Journals Online & Print: | |
Fernleihe: | Fernleihe für die Fachinformationsdienste |
Published: |
[publisher not identified]
[2018]
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In: |
Approaching religion
Year: 2018, Volume: 8, Issue: 2, Pages: 17-26 |
Standardized Subjects / Keyword chains: | B
John Damascene 675-749
/ Trisagion
/ Religious identity
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RelBib Classification: | KAD Church history 500-900; early Middle Ages RC Liturgy |
Online Access: |
Volltext (doi) Volltext (kostenfrei) |
Summary: | John Damascene, one of the most productive Greek theologians of the Middle Byzantine era, also composed a treatise on the Trisagion hymn, or how it should be sung correctly and why; a text that has been little discussed in contemporary scholarship. The present paper provides an overview of the work - with special reference to the notion of identity in John's description of the Trinitarian doctrine. It also examines the treatise especially in the context of anti-heretical polemics. The author argues that John's approach to the question of the correct way of singing the hymn is gentle: instead of using pejorative language, he even praises the object of his reproach. |
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ISSN: | 1799-3121 |
Contains: | Enthalten in: Approaching religion
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Persistent identifiers: | DOI: 10.30664/ar.68887 |