A queer relationship?: The construction of a New Zealand LGBTQ community choir and its host church

This article examines how a secular lesbian, gay, bisexual, transgender, queer (LGBTQ) community choir in New Zealand negotiates a relationship with sacred repertoire, and the church in which the choir is located. A mixed-methods study included semi-structured interviews with 26 current and past mem...

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Bibliographic Details
Published in:Culture and religion
Main Author: Bird, Frances (Author)
Format: Electronic Article
Language:English
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Published: Taylor and Francis Group [2018]
In: Culture and religion
Standardized Subjects / Keyword chains:B New Zealand / LGBT / Choir / Church music / Secularism
RelBib Classification:CH Christianity and Society
KBS Australia; Oceania
RD Hymnology
Online Access: Volltext (Verlag)
Description
Summary:This article examines how a secular lesbian, gay, bisexual, transgender, queer (LGBTQ) community choir in New Zealand negotiates a relationship with sacred repertoire, and the church in which the choir is located. A mixed-methods study included semi-structured interviews with 26 current and past members, musical directors and a church representative. Themes that emerged included tensions between religion and an LGBTQ cultural secularism, intersections of reconciliation and affirmation and the identity constitutive uses of space. Findings suggest that although, as LGBTQ-identified people, secularism is an important identity, sacred music is pleasurable. The choir provides church-like functions, through a sense of community, ritual and an environment for spiritual reflection and the practice of values. The church location offers reconciliation for those with Christian backgrounds. Benefitting each other, the choir gives St. Andrew's legitimacy in its identity as an LGBTQ-inclusive church, and the church space has a queering effect on the presentation of the choir.
ISSN:1475-5629
Contains:Enthalten in: Culture and religion
Persistent identifiers:DOI: 10.1080/14755610.2018.1526811