When Art Is the Weapon: Culture and Resistance Confronting Violence in the Post-Uprisings Arab World

This articles explores the explosion of artistic production in the Arab world during the so-called Arab Spring. Focusing on music, poetry, theatre, and graffiti and related visual arts, I explore how these “do-it-yourself” scenes represent, at least potentially, a “return of the aura” to the product...

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Bibliographic Details
Published in:Religions
Main Author: LeVine, Mark 1966- (Author)
Format: Electronic Article
Language:English
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Published: MDPI [2015]
In: Religions
Further subjects:B revolutionary art
B Tahrir Square
B Arab Spring
Online Access: Presumably Free Access
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Summary:This articles explores the explosion of artistic production in the Arab world during the so-called Arab Spring. Focusing on music, poetry, theatre, and graffiti and related visual arts, I explore how these “do-it-yourself” scenes represent, at least potentially, a “return of the aura” to the production of culture at the edge of social and political transformation. At the same time, the struggle to retain a revolutionary grounding in the wake of successful counter-revolutionary moves highlights the essentially “religious” grounding of “committed” art at the intersection of intense creativity and conflict across the Arab world.
ISSN:2077-1444
Contains:Enthalten in: Religions
Persistent identifiers:DOI: 10.3390/rel6041277