Nothing Sacred: Violence, Time and Meaning in the Cinema of Possibilities
Hemingway's disenchantment with the idea of the sacred as expressed in A Farewell to Arms became a defining aspect of the modern experience including in some Hollywood films such as Nothing Sacred and Twentieth Century. An attempt for a return to the sacred can be found in the philosophies of s...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Published: |
[2017]
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| In: |
Religions
Year: 2017, Volume: 8, Issue: 12, Pages: 1-13 |
| Further subjects: | B
Ethics
B Presence B Existential B Time B Sacred |
| Online Access: |
Presumably Free Access Volltext (Publisher) Volltext (doi) |
| Summary: | Hemingway's disenchantment with the idea of the sacred as expressed in A Farewell to Arms became a defining aspect of the modern experience including in some Hollywood films such as Nothing Sacred and Twentieth Century. An attempt for a return to the sacred can be found in the philosophies of such figures as Levinas and Kristeva, among others. Cinema can help in this movement to a return to the sacred through film's ability to manipulate time. |
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| ISSN: | 2077-1444 |
| Contains: | Enthalten in: Religions
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| Persistent identifiers: | DOI: 10.3390/rel8120275 |
