Khyentse Norbu's Film Travelers and Magicians: Experiencing Impermanence, No Self, and Emptiness

This article examines the filmmaking of writer and director Khyentse Norbu (Dzongsar Jamyang Khyentse Rinpoche), a Tibetan-Bhutanese lama with major responsibilities as a senior Vajrayana teacher, and recognized as the third incarnation of the founder of the non-sectarian Khyentse lineage. Focusing...

Full description

Saved in:  
Bibliographic Details
Published in:Religions
Main Author: Benton, Catherine (Author)
Format: Electronic Article
Language:English
Check availability: HBZ Gateway
Journals Online & Print:
Drawer...
Fernleihe:Fernleihe für die Fachinformationsdienste
Published: MDPI [2018]
In: Religions
Year: 2018, Volume: 9, Issue: 4, Pages: 1-8
Further subjects:B Transformation
B dependent arising (pratītyasamutpāda)
B Guru Rinpoche
B Impermanence
B Liminal
B Ritual
B causes and conditions
B Illusion
B Padmasambhava
B no self
B Emptiness
B Dzongsar Jamyang Khyentse Rinpoche
Online Access: Presumably Free Access
Volltext (Verlag)
Volltext (doi)
Description
Summary:This article examines the filmmaking of writer and director Khyentse Norbu (Dzongsar Jamyang Khyentse Rinpoche), a Tibetan-Bhutanese lama with major responsibilities as a senior Vajrayana teacher, and recognized as the third incarnation of the founder of the non-sectarian Khyentse lineage. Focusing particularly on his film Travelers and Magicians (2003), the article explores how Khyentse Norbu creates an experience of Buddhist seeing: an experience of impermanence [anitya], no self [anātma], dependent arising [pratītyasamutpāda], and emptiness [sūnyatā]. The filmmaker draws the audience into worlds that appear to exist and not exist, shaped as they are by these interrelated Buddhist realities. Moving back and forth between a frame story and its embedded narratives, the film invites the viewer to experience the emotional turmoil of two protagonists as emotions shape and re-shape their behavior and influence the actions of those around them. Identifying with the protagonists in Travelers and Magicians, the audience experiences the Buddhist perception that life is a myriad of mutually dependent realities: the powerful reality of illusion and the illusory nature of reality.
ISSN:2077-1444
Contains:Enthalten in: Religions
Persistent identifiers:DOI: 10.3390/rel9040124