Khyentse Norbu's Film Travelers and Magicians: Experiencing Impermanence, No Self, and Emptiness
This article examines the filmmaking of writer and director Khyentse Norbu (Dzongsar Jamyang Khyentse Rinpoche), a Tibetan-Bhutanese lama with major responsibilities as a senior Vajrayana teacher, and recognized as the third incarnation of the founder of the non-sectarian Khyentse lineage. Focusing...
| Main Author: | |
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| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Journals Online & Print: | Drawer...
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| Fernleihe: | Fernleihe für die Fachinformationsdienste |
| Published: |
MDPI
[2018]
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| In: |
Religions
Year: 2018, Volume: 9, Issue: 4, Pages: 1-8 |
| Further subjects: | B
Transformation
B dependent arising (pratītyasamutpāda) B Guru Rinpoche B Impermanence B Liminal B Ritual B causes and conditions B Illusion B Padmasambhava B no self B Emptiness B Dzongsar Jamyang Khyentse Rinpoche |
| Online Access: |
Presumably Free Access Volltext (Verlag) Volltext (doi) |
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| 520 | |a This article examines the filmmaking of writer and director Khyentse Norbu (Dzongsar Jamyang Khyentse Rinpoche), a Tibetan-Bhutanese lama with major responsibilities as a senior Vajrayana teacher, and recognized as the third incarnation of the founder of the non-sectarian Khyentse lineage. Focusing particularly on his film Travelers and Magicians (2003), the article explores how Khyentse Norbu creates an experience of Buddhist seeing: an experience of impermanence [anitya], no self [anātma], dependent arising [pratītyasamutpāda], and emptiness [sūnyatā]. The filmmaker draws the audience into worlds that appear to exist and not exist, shaped as they are by these interrelated Buddhist realities. Moving back and forth between a frame story and its embedded narratives, the film invites the viewer to experience the emotional turmoil of two protagonists as emotions shape and re-shape their behavior and influence the actions of those around them. Identifying with the protagonists in Travelers and Magicians, the audience experiences the Buddhist perception that life is a myriad of mutually dependent realities: the powerful reality of illusion and the illusory nature of reality. | ||
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