Spielarten des Gottes-Genusses: Semantiken des Genießens in der europäischen Frauenmystik des 13. Jahrhunderts

In women's mystic texts of the late Middle Ages, forms of pleasure were devised and tested that by far eclipse much of what appears to be extreme and daring today. Pain and pleasure were blended into each other without diminishing the tension of both extremes. By ingenious use of semantics, And...

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Bibliographic Details
Published in:Historische Semantik
Subtitles:"Geniessen Gottes" in der europäischen Frauenmystik des 13. Jahrhunderts
Main Author: Zech, Andrea (Author)
Format: Print Book
Language:German
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Published: Göttingen Bristol, CT Vandenhoeck & Ruprecht [2015]
In: Historische Semantik (Band 25)
Series/Journal:Historische Semantik Band 25
Standardized Subjects / Keyword chains:B Mechthild, von Magdeburg 1210-1282, Das fließende Licht der Gottheit / Hadewijch 1200-1260, Visioenen / Marguerite, Porète 1250-1310, Le mirouer des simples âmes anienties et qui seulement demourent en vouloir et desir d'amour / Enjoyment / Metaphor / Semantics
B Feminine Mysticism / Language / History 1200-1300
B Europe / Feminine Mysticism / History 1200-1300
B Mechthild, von Magdeburg 1210-1282, Das fließende Licht der Gottheit
B Hadewijch 1200-1260, Visioenen
B Marguerite, Porète 1250-1310, Le mirouer des simples âmes anienties et qui seulement demourent en vouloir et desir d'amour
RelBib Classification:AF Geography of religion
RA Practical theology
Further subjects:B Women mystics (Europe) Psychology
B Thesis 2011 (Freiburg, Breisgau)
B Pleasure Religious aspects Christianity
B Mystical Union History To 1500
Online Access: Inhaltstext (Verlag)
Table of Contents
Description
Summary:In women's mystic texts of the late Middle Ages, forms of pleasure were devised and tested that by far eclipse much of what appears to be extreme and daring today. Pain and pleasure were blended into each other without diminishing the tension of both extremes. By ingenious use of semantics, Andrea Zech's study demonstrates impressively how recipients can follow and comprehend the pleasure of God imaginatively and performatively. In a language of its own, pleasure is thus portrayed like a postmodern performance without denying its otherness
Item Description:Literaturverzeichnis: Seite 363-375
Institution und Jahr der Diss. erm., geschrieben u.d.T.: "Geniessen Gottes" in der europäischen Frauenmystik des 13. Jahrhunderts
ISBN:3525367279