Cosmic philosophy and the arts: the Cosmic Movement and the Idéal et Réalité Circle

This article discusses the nexus between art and occultism in the Idéal et Réalité group, which was active in Paris in the third decade of the twentieth century and attracted many prominent writers, poets, actors, and artists. The Idéal et Réalité group emerged from the early twentieth-century esote...

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Bibliographic Details
Main Author: Hus, Boʿaz 1959- (Author)
Format: Electronic/Print Article
Language:English
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Published: University of Californiarnia Press [2016]
In: Nova religio
Year: 2016, Volume: 19, Issue: 4, Pages: 102-118
Standardized Subjects / Keyword chains:B Théon, Max 1848-1927 / Mouvement cosmique / Idéal et réalité circle / Arts / History 1900-1930
RelBib Classification:AG Religious life; material religion
AZ New religious movements
KBG France
TJ Modern history
TK Recent history
Online Access: Volltext (doi)
Parallel Edition:Electronic
Description
Summary:This article discusses the nexus between art and occultism in the Idéal et Réalité group, which was active in Paris in the third decade of the twentieth century and attracted many prominent writers, poets, actors, and artists. The Idéal et Réalité group emerged from the early twentieth-century esoteric Le Mouvement Cosmique, and it was much influenced by its Cosmic Philosophy. The Cosmic Movement was founded by Max Théon and his wife Théona (Mary Ware) in the first decade of the twentieth century. Art and literature were important in the philosophy and practice of both the Cosmic Movement and the Idéal et Réalité circle. Art dealer Eugène Blot and members of his extended family contributed to the participation of high-profile artists in the Idéal et Réalité circle.
ISSN:1092-6690
Contains:Enthalten in: Nova religio
Persistent identifiers:DOI: 10.1525/nr.2016.19.4.102