Taking Offense: Religion, Art, and Visual Culture in Plural Configurations

What makes an image offensive? — This question is addressed in this volume. It explores tensions and debates about offensive images and performative practices in various settings in and beyond Europe. Its basic premise is that a deeper understanding of what is at stake in these tensions and debates...

Full description

Saved in:  
Bibliographic Details
Format: Electronic Book
Language:English
Check availability: HBZ Gateway
Fernleihe:Fernleihe für die Fachinformationsdienste
Published: Paderborn Wilhelm Fink Verlag 2018
In:Year: 2018
Series/Journal:dynamis
Standardized Subjects / Keyword chains:B Picture / Value system / Normverletzung
B Picture / Breaking a taboo / Blasphemy / Libel and slander
Further subjects:B Literary Studies
B Blasphemy
B Museen
B popular aesthetics
B imaging gender
B Blasphemie
B Literature studies
B Picture interpretation
B Art history
B Post-secularism
B politics of representation
B post-sekular
B anstößige Bilder
B Bildpolitik
B Hinduism
B Museums
B Christianity
B Kulturwissenschaft
B Glaubenskonflikt
B co-existence
B populäre Ästhetik
B Islam
B offensive images
B Cultural Studies
B Visual Culture
B Religious Conflict
B Conference program 2014 (Kiel)
B Mass media
B Artistic Research
B Motion picture sciences
B Post-secular
Online Access: Volltext (kostenfrei)
Rights Information:CC BY-NC-ND 4.0
Parallel Edition:Non-electronic
Description
Summary:What makes an image offensive? — This question is addressed in this volume. It explores tensions and debates about offensive images and performative practices in various settings in and beyond Europe. Its basic premise is that a deeper understanding of what is at stake in these tensions and debates calls for a multidisciplinary conversation. The authors focus on images that appear to trigger strongly negative reactions; images that are perceived as insulting or offensive; those subject to taboos and restrictions; or those that are condemned as blasphemous. In light of recurrent acts of violence leveled against images and symbols in the contemporary, globally entangled world, addressing instances of “icono-clash” (Bruno Latour) from a new post-secular, global perspective has become a matter of urgency.
ISBN:3846763454
Access:Open Access