Writing the Sublime: Visual Hagiography and the Promotion of Interreligious Understanding
The article explores relations among visual hagiography and the promotion of interreligious understanding. Topics discussed include the Interfaith Center of New York (ICNY) exhibition "Writing the Sublime: The Art of Calligraphy in the Religions of Abraham" featuring work of dialogical pro...
| Main Author: | |
|---|---|
| Format: | Electronic Article |
| Language: | English |
| Check availability: | HBZ Gateway |
| Interlibrary Loan: | Interlibrary Loan for the Fachinformationsdienste (Specialized Information Services in Germany) |
| Published: |
2018
|
| In: |
Cross currents
Year: 2018, Volume: 68, Issue: 3, Pages: 383-393 |
| Standardized Subjects / Keyword chains: | B
Interfaith dialogue
/ Art
/ The Sublime
/ Aesthetics
|
| RelBib Classification: | AG Religious life; material religion AX Inter-religious relations KCD Hagiography; saints |
| Further subjects: | B
ISLAM & art
B ART & religion B Interfaith Marriage B ABRAHAM (Biblical patriarch) B GORST, Karen B Interfaith Relations B Interfaith families |
| Online Access: |
Volltext (lizenzpflichtig) |
| Summary: | The article explores relations among visual hagiography and the promotion of interreligious understanding. Topics discussed include the Interfaith Center of New York (ICNY) exhibition "Writing the Sublime: The Art of Calligraphy in the Religions of Abraham" featuring work of dialogical project by esteemed letter-artists Karen Gorst, Neil Yerman, and Mohamed Zakariya; theologians' interreligious concerns; and Islamic traditions of figurative art. |
|---|---|
| ISSN: | 1939-3881 |
| Contains: | Enthalten in: Cross currents
|
| Persistent identifiers: | DOI: 10.1111/cros.12320 |
